Join John Rush as he kicks off the weekend with a dynamic episode filled with movie reviews, economic insights, and lively debates. This Friday, John and his guests dive into the pressing issue of rising oil prices and discuss a potential executive order that could change the landscape of American fuel supply. The episode also uncovers the mindset of traders and the transient nature of market fluctuations.
SPEAKER 09 :
It’s finally Friday on Rush to Reason with your host, John Rush. So I tell him I’m a pro jack. And who do you think they give me? The Dalai Lama himself. So we finish 18, and he’s going to sniff me. And I say, hey, Lama, hey, how about a little something, you know, for the effort, you know? And he says, oh, it won’t be any money. But when you die, on your deathbed, you will receive total consciousness. So I got that coming. And movie reviews with Andy Payne.
SPEAKER 14 :
I think that you got the wrong impression about me. I think in all fairness, I should explain to you exactly what it is that I do.
SPEAKER 16 :
What I do have are a very particular set of skills. Skills I have acquired over a very long career. Skills that make me a nightmare for people like you.
SPEAKER 17 :
Chief Lane, what do you want to do tonight?
SPEAKER 09 :
The same thing we do every night, Pinky. Try to take over the world. Stick a fork in me, Jerry. I’m done. Now, here is your host of Rush to Reason, John Rush.
SPEAKER 07 :
Okay, Friday edition, Rush to Reason, Denver’s Afternoon Rush, KLZ 560. Myself, Andy Pate, Charlie Grimes, and yes, it’s snowing out finally.
SPEAKER 03 :
Yeah, my gosh, what is that? That’s like moisture or something in Denver. I didn’t know that happened anymore. It’s crazy, isn’t it?
SPEAKER 07 :
It is crazy. So, yes, we’ll take the snow. We want the snow. It’s been awesome. Okay, really quick before we get going into the program today. I have an idea for Donald Trump.
SPEAKER 03 :
Oh, okay.
SPEAKER 07 :
If somebody has the ability to actually get him an idea, and I think it would help him out immensely right now, given the fact that oil is now $90 a barrel, and they’ve said that it might go as far as $150 a barrel before it’s all said and done. This will be short-lived. It’s not going to last forever. But given the fact it’s short-lived, he could lower fuel prices overnight by $0.40 to $0.50 a gallon if he just issued an executive order saying we only need one or two blends of oil. of unleaded gasoline across the country. I agree. Do it right now.
SPEAKER 03 :
Yeah, absolutely.
SPEAKER 07 :
And I don’t know why he hasn’t called for that yet. I would do it. I would do that overnight.
SPEAKER 03 :
Yeah, and by the way, John.
SPEAKER 07 :
Because he’d gain some political clout if he did that.
SPEAKER 03 :
No, I totally agree. He should do it. He absolutely should do it. I don’t know why he doesn’t do it now.
SPEAKER 07 :
Well, some of it I’m not sure about the advisors around him at times.
SPEAKER 03 :
That’s a good point. Quick question, though. I mean, why is oil going this high when pretty much everyone and their mother knows this is going to be short-lived?
SPEAKER 07 :
Because traders do what traders do.
SPEAKER 03 :
Yeah, but trading is done on futures. That’s what I’m saying. I don’t understand.
SPEAKER 07 :
And they think there’s going to be a lack of supply down the road, which pushes the price up. It’s supply and demand. Look, I can see jacking it up some, but I guess what I’m getting to is— Well, what happens is when you’ve got Qatar, which today shut all production down, LNG and oil both, that’s going to have an impact. Traders know that. They’re looking at the futures. And what happens is they get paranoid and they buy more than they should. which meaning they’re buying more than they should, so there’s more demand than there is supply, pushes the price up.
SPEAKER 03 :
Okay, so if you’re looking right now, though, at the Middle East and what it’s going to be like here in a couple months, the Middle East is actually going to be the most stable for oil supply that we have seen probably in our lifetime.
SPEAKER 07 :
And Jordan Goodman will tell us this on Tuesday. Here’s the issue. You and I know it’s a for-sure deal, but traders don’t, and traders only work off of what they feel might happen. And until they see an end in sight, they won’t change.
SPEAKER 03 :
Politically speaking, just politically, forget right and wrong for a moment. Politically speaking, Donald Trump cannot let this war go more than, say, two months. He can’t.
SPEAKER 07 :
30 days even.
SPEAKER 03 :
He can go 45, 60. I think people, especially if it’s really going well, but that’s it. That’s it. Then he’s got to shut it down. And I would think that any intelligent prognosticator knows that. I mean, how can you not? Oh, by the way, look how quickly we’re winning.
SPEAKER 07 :
Because you have to realize most traders, you of all people know this, the majority of traders in what’s pushing oil up, they’re not conservatives.
SPEAKER 03 :
True.
SPEAKER 07 :
They’re on the left. They’re Jordan Goodman. Right. And they’re paranoid about anything at all that happens along these lines because all they think about is the 1970s.
SPEAKER 03 :
Wow. It’s not the 70s.
SPEAKER 07 :
Well.
SPEAKER 03 :
I’m sorry. Tell them that. You know. Look, I’m going to tell you right now, John.
SPEAKER 07 :
I’m with you. I agree with you. And to me, there’s times this is just baffling because it’s not that complicated. But this is what traders do. And traders are lefties.
SPEAKER 03 :
Come May, what is our oil supply going to look like? I think it’s going to be beautiful.
SPEAKER 07 :
You’re going to have oil. I said this during the last hour on Ready Radio. I think you’re going to see in the not too distant future oil back down to the mid to low 60s. Yep. It’ll come down that fast. Now, the problem is that, you know, the gas prices don’t chase that. It’s so backwards because it’s just the way you are. Yeah, they jump immediately, but they drop slowly. That’s exactly right. Right, right, right. It’s an immediate ramp up in a slow downhill slide after that. Which I’ve never understood.
SPEAKER 03 :
By the way, John, that’s all the more reason that Trump can’t have this thing go more than 60 days. Obviously, then, of course, Congress has to get involved anyway after 60. But he wouldn’t want to go longer than that anyway because gas prices are going to do that slow slope down. He can’t afford that for the midterms.
SPEAKER 07 :
No, he cannot.
SPEAKER 03 :
He will literally lose Congress in such massive avalanches of votes that it’ll be the end of America. I mean, it’s going to be horrible. I don’t expect it. I’m just saying.
SPEAKER 07 :
Okay. And by the way, I don’t either. I think we’ll be okay. But again, one of the things he could do immediately, I want to start today this way, is he could literally do an executive order having two, three blends of fuel even at most across the country telling every state this is how it’s going to work. It’s an executive federal order. This is how we’re going to do things refinery-wise. And we’re going to keep prices down by doing that at least 40 cents a gallon. Bush did it. He could do it. I agree. And he should be doing it. All right. Dr. Scott coming up first right now. And he wants to help you live your best life possible by being the healthiest you can be. Don’t forget his stem cell special runs out tomorrow. Call him now, 303-663-6990. If you know Dr. Scott Faulkner, you know one thing.
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SPEAKER 05 :
Suck it up, buttercup. Back to Rush to Reason.
SPEAKER 03 :
And welcome back to Rush to Reason, Denver’s Afternoon Rush, KLZ 560, John Rush, together with Andy Pate and John Rush. Are you ready for a movie?
SPEAKER 07 :
Let’s hope they’re good.
SPEAKER 03 :
Okay, well, here we go. John, is Pixar back, finally? By the way, have they been awful for a while?
SPEAKER 07 :
Yes.
SPEAKER 03 :
I mean, they are in a major slump. Well, let’s find out if they’re back with a woodland story in Hoppers.
SPEAKER 17 :
We’ve done it, Mabel. After years of work, this revolutionary technology gives us unprecedented access to the animal world. We put this into this. Yes, yes.
SPEAKER 11 :
This into this. This into this. So let me get this straight. You created a fake animal. Yes. Which makes the other animals think you’re an animal. Yes. Guys, this is like Avatar. This is nothing like Avatar.
SPEAKER 08 :
Navel, be careful!
SPEAKER 1 :
Whoa. Hey.
SPEAKER 09 :
How you doing? Hey, girl. Are we vibing? What’s up, what’s up?
SPEAKER 11 :
I understand you.
SPEAKER 09 :
What you doing, lady?
SPEAKER 17 :
And they were in the same den. No!
SPEAKER 11 :
nice sunny spot you got here uh-huh lunch time oh no yay no put him down okay okay okay why huh what why what why would i save his life yeah yeah why would you do that wait She was gonna eat you!
SPEAKER 06 :
Well, yeah, she caught me. It’s pond rules. Mm-hmm. Pond rules.
SPEAKER 11 :
Wait, I’m confused. How could you be cool with that?
SPEAKER 06 :
I mean, she’s gotta eat someone. So, um, do you still wanna… Uh-uh.
SPEAKER 03 :
That’s weird now. Okay, John, what do you think? That’s hot. Sounds good.
SPEAKER 07 :
The commercials look good, by the way.
SPEAKER 03 :
Well, even as a child, Mabel was an animal rights activist who released animals from cages and caused general mayhem. Now a teenager voiced by Piper Kurta, she fights a lonely battle against developments like roads that go through precious forest land.
SPEAKER 07 :
Oh, boy.
SPEAKER 03 :
Yeah, I know. Then Mabel learns that for some reason the animals have already vacated that area. Fortunately for Mabel, she knows some scientists who can put her consciousness in a robotic animal, and this lets her communicate with the forest creatures. Wow! What a great idea, huh? Yeah, okay. Placed in a robotic beaver, Mabel meets all the furry animals. A stupid beaver named Loaf, a careful lizard named Tom, a hungry bear named Ellen, and the friendly king of the beavers, George. And he’s played by Bobby Moynihan. He enforces the pond rules.
SPEAKER 08 :
Hmm.
SPEAKER 03 :
Okay, pawn rules. Well, the animal kingdom also has its politics, John. As a good butterfly, played by Meryl Streep, has a scheming son named Titus. He’s evil. He’s played by Dave Franco. I like Dave Franco. Would you too? Just for the record. He starts off as an evil little caterpillar, but his mom dies and he rises up as an evil butterfly. Well, anyway, Mabel has discovered the reason the animals have left the glade is because the evil mayor, Jerry Generazzo. Okay, that’s how you say it. Jerry Generazzo. He’s played by Jon Hamm. He has put a fake tree in the middle of the pond, and it emits sound. It emits sound that drives away animals. Of course, we know we have those things. Well, she wrecks the tree, John, but Jerry makes more trees, and he even bombs George’s lodge. But evil Titus, the monarch butterfly, learns of how Mabel is really just an undercover human, and he forces the scientists to create a robot Mayor Jerry for him to run, so he can turn the tables. This way, Titus can use Jerry’s power to bring great danger to the humans. Well, can Mabel stop evil Jerry and evil Titus? Can the forest be saved? We find out in Hoppers. What do you think?
SPEAKER 07 :
Sounds fun.
SPEAKER 03 :
All right, here we go. What works in Hoppers? Well, the look of the film, of course, is terrific. This is… I mean, you know, let’s face it, it’s Pixar. They’re very good. And the voice work is strong. The pacing is strong for the most part. It slows a little bit, but it’s pretty good. And there are some funny moments. There’s some good action and effects moving the story, but also some touching scenes. Now, George, once again, leader of the beavers and also leader of the mammals. For whatever reason, he’s been voted leader of the mammals. He’s a willing leader, and he’s forced into action by circumstances. He is a good character. I liked him.
SPEAKER 07 :
Okay.
SPEAKER 03 :
And finally, there is one good message in this movie. So there is a good message.
SPEAKER 08 :
Okay.
SPEAKER 03 :
Activism can spur others to violence.
SPEAKER 08 :
Hmm.
SPEAKER 03 :
Okay, so if you’re an intense activist, yeah, you could get others to become violent, either other people or other, shall we say, woodland creatures.
SPEAKER 07 :
Okay.
SPEAKER 03 :
All right, well, what doesn’t work in hoppers? Okay, here we go. We must start with the politics, John. Sorry, I’m not being all political, folks, but this film is pure political activism. Start to back, top to bottom, left to right, right to left. This is all political activism. This is pro-environmentalist, pro-animal rights, anti-roads development indoctrination. We’re not supposed to expand development anywhere if there are any animals there.
SPEAKER 07 :
Hmm. Animals move.
SPEAKER 03 :
Well, John, help me out here. Where in nature are there no animals? Does this mean, I mean, just like the Mojave Desert, I mean, is there anywhere else that we can build? Do you see where I’m going with this? There is zero opposing view, zero balance, just ultra-leftist propaganda for mobilizing kids. The villain is a white guy. The brilliant scientists are two women, one of color and a black guy. The hero is a girl of color. Look, your kids are going to enjoy it, but they’ll also join Antifa and burn Teslas. I’m just saying. All right. They are being indoctrinated heavily. Jeez. Just so you know. Okay. I mean, I almost expect the producers to be out there across America going into the audience and taping the eyelids up of your kids to make sure that they’re going to watch it.
SPEAKER 07 :
Yeah.
SPEAKER 03 :
This is programming. Yeah. Okay, very much. There’s not that much comedy in this movie. There’s another thing. The forest characters, they’re lovable, and at moments they are funny. I like that one line, nah, it’s weird now. You still want to eat me? Nah, it’s weird now. That’s funny, right? And there’s a few quippy little lines here and there. Boy, not enough. The funniest thing for kids… is where all the animals are basically explaining what that sound is like. They’re hearing that terrible sound above the pond. They don’t know what it is because evil Mayor Jerry put it there. And they all explain it’s different for all of them. And they’re screaming out these sounds. This is a very loud little movie, by the way. I don’t know. It’s a very loud little movie with a very irritating star. All right. Let’s see here. To continue the preaching, there’s a heavy New Age message of we’re all part of the whole, and humans aren’t special, but we take more than we should. I mean, this is great. Unless you’re Antifa, Mabel just isn’t a very likable hero. Okay? Not special. Just preachy. She’s really not that interesting. Her personality is… Honestly, it’s like a combination of almost every kid hero that we have seen in Pixar over the last like eight movies.
SPEAKER 08 :
Hmm.
SPEAKER 03 :
Just the same. She has no unique personality, except she’s a really annoying person because she’s everything you hate. She’s everything that you know is going to be burning down a 7-Eleven next week. I can’t stand this kid. So while there was one good message, here’s the problem. You have a sea of bad messaging burying it. As you know, I give quality political and moral religious scores. I’m just going to tell you about the political first. I’m going first on the political, okay? Now, I thought that maybe I could get it up to a one because activism spurs others to violence. That’s a very good message for young people, right? Too much activism. If you are too intense about it, you can spur others to violence. But the rest of the political messaging of this movie was a negative 10, and so I’m still putting the political score at zero.
SPEAKER 07 :
Okay.
SPEAKER 03 :
It is. Is that bad? Folks, your kids are being programmed. I mean, I’m sorry, but that’s all there is to it. Maybe, though, they won’t burn things down as quickly. I don’t know. They might not be as violent. I got nothing. Okay, here we go. Rotten Tomatoes, of course.
SPEAKER 07 :
We love it.
SPEAKER 03 :
Oh, yes, yes, yes.
SPEAKER 1 :
94%.
SPEAKER 03 :
Now, let’s just take a step back here on the quality. By the way, it’s not bad quality. It’s a pretty good movie. But they’re acting like 94% is four and a half stars, John.
SPEAKER 08 :
Right.
SPEAKER 03 :
That’s crazy good. No. Four and a half stars means that I should hear the kids in the audience laughing a lot, right? Yeah. giggling and laughing and really into it i think they they liked the animal sound scene i think they might have liked that i didn’t hear any laughing throughout the rest of the movie these these characters just aren’t that funny they’re rather endearing at times and i thought it ended rather strong i thought it ended nicely and very you know it was just a good feeling ending that it had to the movie that’s good this is not a great movie quality three stars So just above average, just a little above average. All the reviewers are saying Pixar is back, Pixar is back, Pixar is back. You know, I think it’s going to have a strong couple weeks. There are no other kid movies. It’s early March. There is nothing else to take your kids to. So do I think it’ll do well for a couple weeks? Yeah, and then I think it’s going to drop off like a rock. Moral Religious, one. So there we go. Quality, three. Political, zero. Moral Religious, I’m going to give it a one just because of the… preaching at your kids. I just don’t like that.
SPEAKER 07 :
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SPEAKER 07 :
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SPEAKER 16 :
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SPEAKER 05 :
The best export we have is common sense. You’re listening to Rush to Reason.
SPEAKER 03 :
And welcome back to Rush to Reason. Deadverse, Afternoon Rush, KLC 560, John Rush, together with Andy Pate and John. Are you ready for another movie?
SPEAKER 07 :
Absolutely. Hopefully better than the last one.
SPEAKER 03 :
Well, you never know, right? Okay, well, John, the Frankenstein monster. Did you ever watch any Frankenstein movies?
SPEAKER 07 :
Yeah, a little bit, yeah.
SPEAKER 03 :
I’ve watched a few. I really enjoy it. Well, he gets this girl in The Bride.
SPEAKER 01 :
Was I just the same before the accident?
SPEAKER 16 :
There wasn’t any accident. Everything we did… We did it on purpose. There is nothing left to do now but live.
SPEAKER 03 :
All right, John, what do you think? Doesn’t tell you much, does it?
SPEAKER 07 :
No, I was just going to say, huh, what?
SPEAKER 03 :
Guess what? You might be saying that a lot. Okay, here we go. Jessie Buckley, who, by the way, is a fine actress, she plays three women in this film. First, she is the great Frankenstein author Mary Shelley, an angry feminist determined to tell the story of the bride. Then we’re in the story, and Buckley plays Ida, a loud-mouthed drunken party girl in the 1930s who is too disruptive amongst gangsters. Ida hears Mary Shelley’s voice in her head. Did you follow this? So that’s right, this poor character has multiple personalities, and the other personality in her head is the author, driving her insane and driving her to do crazy things and act out in public in unbelievable ways. I got nothing, okay? Yeah, weird. Naturally, she gets killed. Well, heck, I wanted to kill her if it would just shut her up, all right? Now we see Frank, okay? That’s Christian Bale, one of my favorite actors, playing Frankenstein’s monster, roaming miserably around Chicago. Maybe he’s a Cubs fan. I don’t know. I’m just saying. Actually, he’s just very lonely, John, and he needs a scientist capable of recreating his creator’s work to create a bride for him. All right. Well, that scientist is Dr. Euphronius, played by Annette Bening. I like her. And she can do the work. So they dig up Ida and it’s alive. Unfortunately, Ida’s face is stained with chemicals. She’s got the stain going off to the side of her mouth. That becomes a thing. Now, Frank, he isn’t just a monster. He admires great dancing. He’s a big fan of movie star Ronnie Reed, who’s played by Jake Gyllenhaal. By the way, I like him.
SPEAKER 01 :
Do you like him?
SPEAKER 03 :
Okay. So he’s hoping he can sweep his bride off her feet. Problem is, Ida is now less inhibited than before her murder. And she wasn’t inhibited then. So Frank’s got a ton on his hands. And she still has the author, Mary Shelley’s voice going off in her head. it’s crazy so they go to a party on the town but a couple guys afterward want to rape ida and needless to say frank does what a powerful monster does to these two right so now he and ida are on the run for murder but ida’s outlandish behavior makes her into a folk hero so they’re on the road right little bonnie and clyde action they’re out on the road and She’s so outlandish that she’s become a folk hero for angry women feminists everywhere. And they start drawing the same stain on their faces as Ida to be like her. I kid you not. The great underlying theme is any woman yearning to be free is seen as a monster in this terrible world. And that is the story of the bride. What do you think?
SPEAKER 07 :
Okie dokie. There’s a lot going on there.
SPEAKER 03 :
Yeah, what works in The Bride? Well, there are some very strong performances from the leads, of course. We all love Christian Bale. I’m going to tell you, Jessie Buckley could very well win Best Actress for this. She is absolutely fantastic conveying the multiple personalities of this role. What else works in The Bride?
SPEAKER 07 :
No, I don’t know.
SPEAKER 03 :
Nothing. It’s awful. I got nothing. What doesn’t work in The Bride? This is a long list. Here we go. This is written, directed, and produced by Maggie Gyllenhaal, who, by the way, is a wonderful actress. So who will edit her? This is another one of those cases, John, where one person is God. They have all power, right? Written, directed, produced. Who’s going to edit her? No one. No one. And you really see that. It’s way too over the top, raging, angry feminist. OK, this comes off angrier than Barbie. Wow. I didn’t know that was possible. OK, I mean, this is pure rage. It’s even me, too. And what’s with the author being a personality in the main character, a personality that is out of control and ruining her life? It doesn’t make any sense. You’re just like. You’re ruining the story by stuffing yourself into it, right? The story. Apparently, this is about Mary Shelley being that enraged personality, but why, right? So I guess the idea, John, is this. is that she’s trying to convey that I am the bride of Frankenstein, and I live in this man’s world, and if I ever act out and be myself, that I will be treated as a monster by society. So I’m going to make myself the other voice in the monster’s head. It doesn’t work, man. I mean, all it does is blow up scene after scene after scene, drag them down, blow them up, make them awkward, make them just not work. It just doesn’t work. Next, there are ludicrous moments everywhere. When the happy couple starts disrupting a dance with insane behavior, everyone starts dancing with them for some reason. I have no idea why. I guess it’s because Mary Shelley can write it to do whatever she wants. But it’s not a movie. It’s not a story that makes any sense. You’re sitting there going, why are they doing this? And they’re doing highly sexual dances. There’s a lot of really gross sexual dances that they’re doing here in the 30s. And at this point, they’re doing it at a posh party. What? It doesn’t make any sense. A couple, I’m sorry, not a couple, a cop tries to feel Ida up. All right. Well, that doesn’t go well. Another man who’s a cop must admit to infidelity and then turn his badge over to a woman. This is just feminism on parade. What we’re watching is just this bizarre screaming out of an angry feminist in art form. That’s what the whole movie is.
SPEAKER 07 :
Okay.
SPEAKER 03 :
It’s barely a story. I mean, it barely holds together. Let’s see here. Several times they appear to be getting chased, and then the pursuers just go away. There’s no continuity, no plausibility. So you’re thinking, okay, they’re being chased running out of this building, right? And there were all these people after them, all these cops, right, who were after them in the building. Guess what? They don’t pursue. Why? They just went down this street. They’re right there. Cops, why don’t you keep running after them? They just killed someone. And they don’t. None of this makes any sense. Frankly, their constant shouting behavior is not entertaining. It’s as boring as listening to a drunk at a party tell long, bad jokes that he thinks are funny. It’s embarrassing, right? Watching these two shouting, we’re living the free life, da-da-da-da-da-da-da-da. What is this, Easy Rider? I mean, I couldn’t take it. This is some of the worst film I have ever seen. It’s up there. It’s really awful. This was an enraged, delusional political speech for the art crowd. Now, the art crowd loved it.
SPEAKER 07 :
Of course.
SPEAKER 03 :
Yeah, here’s what’s going to happen. You know, it’s going to do its pretty good business based on the names in it week one as the art crowd piles in. And then it is going to flop. Word of mouth is going to kill this thing. It’s going to kill this thing. I mean, I don’t know. Maybe the art crowd will tell their fellow art crowdians that, oh, my gosh, this spoke to me, spoke to you. This only speaks to you if you want to blow a lot of men up, okay? Like, I got nothing. This is crazy. And I’m not just saying that because, oh, gee, it’s left-wing. No, man, if they made some right-wing movie like this, I’d hate it, too.
SPEAKER 08 :
Mm-hmm.
SPEAKER 03 :
It’s bizarre and awful. Okay, Rotten Tomatoes, naturally, gave this a passable grade, 60%. I don’t know why. I don’t know why. I think it’s just because it’s heavily left-wing feminist. And there you go. And it’s arty. It’s very arty. So there are arty moments, dancing and so forth. Quality. I’m giving this one half star. And that is all for the performance of Jessie Buckley, who I believe could win Best Actress. And should. I would give it to her.
SPEAKER 07 :
Okay.
SPEAKER 03 :
All right. Political, one. Moral, religious, one. Okay, this is just… This isn’t worth going to at all. Oh, ick.
SPEAKER 07 :
That’s not even worth watching a rental, whatever, when it’s free. Yeah. Down the road. John, this is ick. So if it’s on the airplane, skip it.
SPEAKER 03 :
I’m sorry.
SPEAKER 07 :
Because it will be at some point. You know it will be.
SPEAKER 03 :
I know this is going to break the corporation, but I did put in for hazard pay. Wow. All right. I’m sorry. It’s that bad. This is awful. I had an awful night with this. So there you go. Do I recommend going to the bride? I will say this, folks. If you are an angry feminist, oh, heck yeah. If you are an arty, arty, arty for art’s sake, arty, go to this. Anybody else, oh, heck no. Do not go to the back.
SPEAKER 07 :
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SPEAKER 07 :
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SPEAKER 03 :
And welcome back to Rest Your Reason, Denver’s Afternoon Rush, KLZ 560, John Rush, together with Andy Pate and John. Are you ready for a third movie? Number three. All right, here we go. A mom must get her daughter back in Protector. Okay.
SPEAKER 10 :
I’ve been taught all there is to know about taking a life. But giving a life, bringing someone into the world… caring for a child. You’re so beautiful.
SPEAKER 13 :
You’re like my best friend.
SPEAKER 10 :
Just hope you know that. You’re on your own. In any disappearance, especially that of a child. Chloe! You have just 72 precious hours to find them. I have to find Chloe before it’s too late.
SPEAKER 09 :
You have no idea what you’re dealing with. What she’s capable of.
SPEAKER 12 :
That woman has killed 13 people.
SPEAKER 09 :
13 human traffickers. Who is she? A mother looking for a child that was abducted. I want this woman found and I want her dead. Nikki is a force of nature.
SPEAKER 14 :
I’m not in charge. I can help you get to him. I don’t need your help.
SPEAKER 10 :
I’m coming for you.
SPEAKER 03 :
I’m coming for you. She sounds mad. Yeah, she’s pretty mad, John. Okay, Mila Jovovich, who I have always really liked, she stars as Nikki, an ex-Special Forces killer who knows how to take out the worst of the worst in brutal fashion. Nikki has no compassion for evil and doesn’t hesitate to finish it off. So I would say she’s a little more conservative than the first two movies I saw. All right. Just so you know. But while she was deployed on countless missions, she was missing out on the growing up of her daughter, Chloe, played by Isabel Myers. That’s really rough because she was so good at what she did that they brought her on mission after mission after mission. And this goes over a dozen years, and her daughter is now 16. Pretty tough. Well, when Nikki’s husband dies of leukemia, she returns and comes home.
SPEAKER 08 :
Hmm.
SPEAKER 03 :
Well, then the unthinkable happens. Chloe is abducted. Like Liam Neeson in Taken, Nikki is a trained warrior with a particular set of skills, so she uses them. But unlike Taken, Nikki’s skills have little to do with tracking down intel. That’s not her thing, John. She’s more of a rampaging bull, shredding evildoers with a mama bear’s rage. So think less Liam Neeson and a little bit more Sigourney Weaver. How’s that in aliens? Also expect plenty of bad guys being sliced, diced, shot and tortured for information. There’s no debate here over whether we should inflict pain to get crucial info. Nikki doesn’t care. And it’s kind of interesting. It’s not like she delights in it either. She is just businesslike. And she just causes more and more, inflicts more and more pain. I need the information. I need it now. And the more you try to hold out, I quicken up the pain. It’s going to happen quicker now. I don’t care. You will give it to me now. And it’s interesting. Definitely not hoppers. I’m just going to say. Problem is, the cops are closing in, and so is Nikki’s old army colonel, played by Matthew Modine. Well, can Nikki reach her daughter before she gets killed or stopped? And that’s the story of Protector. What do you think? Doesn’t sound too bad. All right, well, what works in Protector? Well, there’s good pace, and Jovovich, she has aged well into the grizzled action hero. There are also some pretty good fight scenes, right? Because Jovovich, she’s done this for many years. She did the Resident Evil movies. She has done this kind of action stuff for a lot of years. It’s very natural for her, so she does it quite well. All right, what else works in Protector? Oh, no. Two in the same week, John. This is rough. Well, what doesn’t work in Protector quite a bit? Let’s start with the dialogue. Oh, my gosh. It’s way over explanatory.
SPEAKER 07 :
Okay.
SPEAKER 03 :
You ever have somebody explain a joke to you?
SPEAKER 07 :
Yes.
SPEAKER 03 :
Yeah, not good, right? Well, Matthew Modine, at one point, he points at the bird on his uniform and explains, that means he’s a colonel. Oh. No, seriously. Full bird colonel. Yes, yeah. Well, I’ll just point at this card and say it means I’m a Sam’s Club member. I mean, what are you doing? During the film, we get a voiceover of Nikki explaining every situation. She explains how her enemies have grouped together too much in a kill box. And here’s her talking in the service. We call it a kill box. It’s a box. And well, you get the picture. Well, no, no. Do go on. I mean, maybe she should have explained the plumbing in the building or why a bullet traveling fast does damage. At one point, I held up my popcorn and asked, so how should I eat this? It was crazy. She was over explaining everything. The dialogue is lazy. That’s another thing. After Nikki slaughters 13 thugs, a cop asks, a woman did all this? To which a female officer responds, does that surprise you? Oh, burn, you sexist.
SPEAKER 07 :
Come on.
SPEAKER 03 :
Well, it is kind of surprising that a woman just slaughtered 13 hired killers. Yeah, I would say a little bit. Yeah. Well, the human traffickers are referred to as the syndicate traffickers.
SPEAKER 1 :
What?
SPEAKER 03 :
Is this mission impossible? That’s like saying the villains are Spectre or The Mob. How about the bad guys? I mean, it’s awful. There’s a timer. I forgot about that. Here we go. You know, Taken says you have 96 hours to find the girl, but this film trims it down to 72. All right. Then, just to make sure you don’t forget, Nikki wears a digital timer counting down to the minute. So what? It’s exactly 72 hours that you have to find this person before they’re not findable? Exactly? I mean, the syndicate’s on a timer. This is so stupid. Hey, back off, man. I mean, see this? And by the way, it means I’m a colonel. This is a film that tells you what a colonel is and has a timer for organized crime for how long they have your daughter. Plot twist at the ending is, as likely as finding out on your deathbed that the earth was flat.
SPEAKER 07 :
Okie dokie.
SPEAKER 03 :
Okay. Because at the end, you get this huge plot twist. Oh, I didn’t see that coming. But you’re just thinking, you know, thinking back, there are a lot of holes in this plot twist. It doesn’t even really hold up. It doesn’t work. And by the way, you waited until what? The last, gosh, what’s left in the movie? Let me look at her timer. Oh, 30 seconds. It’s just crazy. They wait too long. This is not a good movie, okay? Rotten Tomatoes. Oh, my gosh. Because it’s more conservative in nature, they agree with me. So they can honestly say what the quality of the movie is. Although, you know, a lot of times they’ll beat it down even worse. But I think they’re pretty fair here. 17% from Rotten Tomatoes. Yes, yes, yes. Quality, I’m going to give it one star. Hey, I liked it better than, you know, The Bride, which was just… I mean, at least this was a story… It’s twice as good as The Bride. Yeah, and by the way, for me, for me personally, twice as good as The Bride. One star to one half star. For me personally, it’s a three-star movie because I can overlook the stupid dialogue and all that because I want to watch the fights and wah-wah. And the story, at least…
SPEAKER 07 :
Moves?
SPEAKER 03 :
At least up until the very end. It’s moving along just fine, and I get to see her going after these guys, taking out bad guys. At least I was entertained. So for me, it’s three. General audiences, one star. Political, four. That’s right. I don’t care what you do to this guy who is trafficking in young women.
SPEAKER 07 :
Yeah, good one.
SPEAKER 03 :
You do whatever you want to get that info. I’m good with it. More Religious 3, just because it is what it is. There you go. Do I recommend going to Protector? No, I don’t. It’s not a good movie. But if you’re like me and you just like action, and you like revenge, and you like going and getting those bad guys, eh, you might have fun. There you go.
SPEAKER 07 :
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SPEAKER 05 :
Live and local, back to Rush to Reason.
SPEAKER 07 :
Okay, we are back. Rush to Reason, Denver’s Afternoon Rush, KLZ 560. Question of the day yesterday. Yes. Which silent film actor first popularized the Tramp character? So which silent film actor first popularized the Tramp character? That would have been Charlie Chaplin. Charlie Chaplin. Did you ever hear him?
SPEAKER 03 :
What? That’s a silent movie actor.
SPEAKER 07 :
I mean, did he ever act in a movie where there was sound?
SPEAKER 03 :
Oh, was he around long enough for that? I’m not sure. I honestly don’t know.
SPEAKER 07 :
Charlie, would you know that? I would assume. He was born in London in 1889. Well, he would have been around long enough to have had.
SPEAKER 03 :
I would think so.
SPEAKER 07 :
What did they call those, talkies? Talkies. Talkies when they first came out.
SPEAKER 03 :
I still call them that.
SPEAKER 07 :
Talkies.
SPEAKER 03 :
There’s just a lot more of them now.
SPEAKER 07 :
Talkie movies.
SPEAKER 03 :
Yes.
SPEAKER 07 :
Okay. Oh, he died in 77, so sure he’d have been around to have. But did he act in any movies that he could have said something? That I don’t know. I don’t know.
SPEAKER 03 :
I don’t know.
SPEAKER 07 :
All right, Charlie Chaplin.
SPEAKER 03 :
There you go.
SPEAKER 07 :
Didn’t he move around really weird and stuff, too?
SPEAKER 03 :
Yeah, well, he did that weird dance where his legs would be straight going side to side.
SPEAKER 07 :
Okay. Today’s impossible question. Which amendment abolished… Say it again, Charlie. Oh, he did talkies in the 40s and 50s. Four of them. Okay, there you go. Which amendment today, this is the question of the day, which amendment abolished poll taxes in federal elections? Which amendment abolished poll taxes in federal elections? That is the question of the day today.
SPEAKER 03 :
Okay.
SPEAKER 07 :
You know the answer to it?
SPEAKER 03 :
Offhand? No.
SPEAKER 07 :
Do you, Charlie, offhand? No? I don’t either. I wouldn’t have. Yeah, I had no clue. Learned something every day.
SPEAKER 03 :
Is it a number?
SPEAKER 07 :
Yeah. Well, it’s an amendment.
SPEAKER 03 :
Okay, 17. I have no clue.
SPEAKER 07 :
I’m just as good a guess as any.
SPEAKER 1 :
22.
SPEAKER 07 :
I have no idea. So, anyways, that is the question of the day. All right. We’ve got a few minutes here before we go to the top of the hour. Next hour, we’re going to do an honor of, and this is always, you know, we’re trying to be sensitive because, you know, we’re not trying to, like, you know, glamorize anything. Although, let me just say this really quick about the Iran war going on at the moment. Holy crap, do we have some firepower.
SPEAKER 03 :
Yeah, we do.
SPEAKER 07 :
I mean, if you’re another country, China, Russia, anybody looking at us, thinking, oh, yeah, we could take those guys. I mean, Andy, you’ve got to be backing up as a world leader, looking at what we’re doing right now, thinking, oh, geez, yeah, we thought we could take these guys, but yeah, holy crap, no.
SPEAKER 03 :
No, and John, it’s not just the power, it’s the precision. That’s what it really is. It’s the precision.
SPEAKER 07 :
How it’s all delivered and everything.
SPEAKER 03 :
Oh, my gosh. And the intel that we got largely through the Israelis, the intel has been unbelievable.
SPEAKER 07 :
But then some of the other things that we’ve – you guys have probably watched some of these videos, but we can send up a stealth fighter, which has enough surveillance equipment on it that we can actually follow one of their drones that doesn’t know we’re following it. While the drone is communicating with all of the Iranian command center, we’re picking up all of the radio frequencies and everything that they’re actually doing, enabling us to even track them even farther because they don’t know we can do that. I mean, just little things like that, Andy. It’s just like you guys realize that on a level. Let’s just say that the United States is a 10. Being the best. Yeah. No offense, Iranians. You’re like a negative 10. You’re not even in the same ball field.
SPEAKER 03 :
No, you aren’t. And that’s really saying something when they’ve got a lot of Chinese and Russian equipment. Okay. They don’t have their own, man. They bought it with lots of money.
SPEAKER 07 :
With lots of oil.
SPEAKER 03 :
Now, they do have some fairly decent stuff. It’s just that compared to us, it isn’t.
SPEAKER 07 :
Well, and some of that, again, I don’t know if some of you – I mean, they got so much money. I don’t know if you’ve read some of this or not, but some of the drones that they had that they’ve used against us, believe it or not, and this is where it gets really interesting. I was watching this the other night. So some of the drones that they have, we actually figured out how to re-engineer those. So we brought one back here. We figured out how to re-engineer one of the drones that – and don’t quote me on this because my pricing may be off a little bit.
SPEAKER 03 :
Are you talking the suicide drones?
SPEAKER 07 :
I don’t know what they’re called.
SPEAKER 03 :
Okay.
SPEAKER 07 :
Yeah, I think that’s what… They’re drones that they’re… Because you send it in as a weapon. Correct. That’s what they’re doing. And so we picked up those drones, figured out exactly how to reverse engineer them, which we did. We’re able to produce the same drone for about 50 grand here in the U.S., which sounds like a lot of money, but… A fully guided weapon? Yeah, 50 grand.
SPEAKER 03 :
That you can… Fly right into wherever you want it and blow it up.
SPEAKER 07 :
So we’re basically reverse engineered those for about 50 grand roughly. And we’re utilizing them now against the Iranians. And what I was reading was this is all about the scale of economics. In other words, we’re actually taking out things that they have that are a million dollars cost. And we’re using a $50,000 weapon to take out one of their million-dollar weapons because we reverse-engineered something they already had. Right. So just little things like that where it’s like, again, does the rest of the world, Andy, not understand what capitalism in the United States of America can do?
SPEAKER 03 :
Well, they do now.
SPEAKER 07 :
I would hope so.
SPEAKER 03 :
I mean, my goodness, it’s been horrible. What we’ve been doing to them. Wonderful. You know what I mean.
SPEAKER 07 :
First time since World War II, we actually sunk a ship with a torpedo.
SPEAKER 03 :
Yeah.
SPEAKER 07 :
And it didn’t take much to do so.
SPEAKER 03 :
No.
SPEAKER 07 :
And that ship thought it was just sneaking around that, you know, it was actually sneaking up on us. And little did it know that it walked into a trap and we blew it up.
SPEAKER 03 :
I think the big question is how soon can we get to a lot of their ground forces who are dug in? And, you know, can we get them out of the way? Because once you do that, then the people will rise up very quickly. They’re worried about the Army still.
SPEAKER 07 :
I think that’s coming, in my opinion, Andy, is coming very soon. I think what we’re doing is take—the other thing has happened, which was not smart on Iran’s part. I didn’t know this, but they have all of their munitions— For the most part, they’re only stored in a few areas around the country. They’re like munitions depots, and they’re dug underground, but we know where they are.
SPEAKER 03 :
And they’re grouped together? And they’re all grouped together. Oh, no, baby, no.
SPEAKER 07 :
And we know where they are. So we’re literally running around taking out their munitions dumps, if you would, one after another after another, because they’re dumb in the way that they stored all of them.
SPEAKER 03 :
Right. I mean, in WW2, when we were able to do that to the Germans, it just crippled them.
SPEAKER 07 :
Well, we’re doing it again now.
SPEAKER 03 :
Right.
SPEAKER 07 :
So, again, at the end of the day, do we have some firepower as a country? Oh, yeah, like none other. I mean, literally. We’ve even got another weapon. I talked about this yesterday briefly. But one of the fears in modern warfare now is the little drones. So China especially makes these little drones not much bigger than the size of a laptop. They’re not very big. And they can do all sorts of things, even fire some weapons and so on. They’re not very big. And you can, like, send 1,000 of them up at one time and really inundate another attack, if you would, or they can attack using those 1,000-plus drones. Well, we’ve got this mini EMP that we have designed and come up with where we literally can point that at all those drones, shoot it, and take all of them out at one time.
SPEAKER 03 :
That’s incredible.
SPEAKER 07 :
I mean, we have stuff, Andy, that I don’t think most people even understand we have.
SPEAKER 03 :
By the way, you know who else has some great tech? Israel.
SPEAKER 07 :
Oh, yeah, because we share not all things, but we share some things back and forth that way as well. Yeah. It’s amazing. Qatar’s first time they ever shot down another jet in war, in this particular war as well, meaning they’re involved and they actually shot down one of the Iranian jets as well that got into their airspace. So you’ve got Arabs fighting Arabs, which is strange.
SPEAKER 03 :
Yeah, that was incredibly dumb of them to shoot into a lot of their neighboring nations.
SPEAKER 07 :
Very stupid. Yeah, because now they’ve got all of them against them.
SPEAKER 03 :
Yeah.
SPEAKER 07 :
Really dumb. Anyways, we’ll come back. Hour number two is next. Rush to Reason, Denver’s Afternoon Rush, KLZ 560.
SPEAKER 1 :
I’m a rich guy.
Media Narratives vs Reality: Data That Changes the Story. Iran, Oil, and Global Power.