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Join us for a lively discussion as guest host Andy Peth takes the helm, filling in for John Rush. The episode kicks off with some light-hearted banter and quickly transitions into a heated political debate over a major bill and its implications for the next presidential election. The conversation highlights the strategic necessity behind political decisions and how public perceptions shape policies—an eye-opener for those curious about the behind-the-scenes of Capitol Hill.
SPEAKER 04 :
It’s finally Friday on Rush to Reason with your host, John Rush. So I tell him I’m a pro, Jack. And who do you think they give me? The Dalai Lama himself. So we finish 18, and he’s going to sniff me. And I say, hey, Lama, hey, how about a little something, you know, for the effort, you know? And he says, oh, it won’t be any money. But when you die, on your deathbed, you will receive total consciousness. So I got that going. And movie reviews with Andy Payne.
SPEAKER 14 :
I think that you got the wrong impression about me. I think in all fairness, I should explain to you exactly what it is that I do.
SPEAKER 10 :
What I do have are a very particular set of skills. Skills I have acquired over a very long career. Skills that make me a nightmare for people like you.
SPEAKER 12 :
What do you want to do tonight?
SPEAKER 04 :
Same thing we do every night, Pinky. Try to take over the world. Stick a fork in me, Jerry. I’m done.
SPEAKER 03 :
Now, here is your host of Rush to Reason, John Rush.
SPEAKER 01 :
Filling in is Andy Pate, party of choice.
SPEAKER 03 :
And I’m your host, Andy Pate, filling in for John Rush today. One more day. John’s going to be back next week. We are going to be off for the rest of the week. Doing best of shows should be a lot of fun. I’m joined, of course, by Luke Cash and Tanner Coleman. I thought I’d throw it in for you because you haven’t been manly enough lately.
SPEAKER 06 :
What, you can’t handle this type of flow?
SPEAKER 03 :
I really can’t. I just can’t.
SPEAKER 07 :
I can’t handle that. I’m standing on business.
SPEAKER 03 :
All right. We’ve got a lot of Hollywood stuff to get to here in a moment. But first, I just want to talk for a moment about the big, beautiful bill. Just one little bit of politics. I just want to tell people. I know right now there are a lot of people out there who are complaining that it is too big and it’s spending too much. I want you to know I agree. But it has to. OK, because guess what? Right now, about 65 percent of Americans oppose the big, beautiful bill. And it’s not because if you look at the districts where they oppose it, it’s not because it spends too much. It’s because it spends too little. So for all my libertarian leaning friends out there, for all the Rand Pauls, for all the Thomas Massey’s and those folks, I just want to be a little bit realistic with you. If we put through anything even remotely close to what you want or what I want, because fiscally, that’s that’s where I am. OK, I’m far right. I would be cut, cut, cut, cut, cut. Folks, if we did that, I guarantee you we would lose at least 20 to 30 seats in the House in 2026. Okay? What does that mean? That means the last two years of Trump’s presidency, there is no Trump presidency. Not a good idea. So, folks, I’m really hoping, really hoping in the next day or two they pass this thing, put it through. I know there’s more spending than we want, but the purest notion that we can just get by without it isn’t going to work. If we do that, we lose the house. We lose it massively. in 2026 and one other thing uh i was noticing that some people were saying why are we doing it so quickly why does it have to be right now why does it got to be right now let me tell you and i’m going to throw it to you guys because too many american voters are dumb all right and here’s what i mean when you’ve got 65 percent and this is 70% independents, by the way, who are looking at this, this thing that barely cuts, and saying it’s not enough spending, and we’re going to have all these terrible things happening. We’re going to lose our medical. We’re going to lose our homes. We’re going to lose everything. There’s going to be fires in the street. It’s going to be L.A., but nationally. And they’re saying this. This means that they do not know what’s coming. And so if we pass this right away, it means it’s going to have a full year before the next election season for them to see. Guess what? The only people off Medicaid are the ones who shouldn’t have been on Medicaid. OK, that it’s not the worst thing in the world for Medicare recipients. I mean, I’m sorry, not Medicare, but for welfare recipients to work 20 hours a week and pitch in a little bit that the world is not going to end. They need to see that there’s going to be an economic boom. They need to see all the goodness. And they need to see it for an extended period of time. So once again, Rand Paul, Thomas Massey, I got news for you. Your economics are exactly the same as mine. I agree with you on virtually everything under the sun. But it won’t sell. Not enough Americans agree with you. And we need that. Thoughts?
SPEAKER 06 :
Agreed. I briefly looked over the bill today. I thought there was a lot of good things in there. Some things I wasn’t 100% sure on. But the fact that we have millions of Americans that haven’t worked real jobs in who knows how long and who knows if they ever have is kind of shocking. And it goes to show you kind of the direction our country has been heading in for a while.
SPEAKER 03 :
Yeah.
SPEAKER 06 :
It’s laziness. And you can’t just care in the world about our country.
SPEAKER 03 :
And you can’t just turn that ship suddenly. Can you, Luke? I mean, if you do that suddenly, they’re just going to vote you out. That’s true. They need transition. You got to turn the barge around right now. You’ve got an entire America that’s been educated by the public education system for several decades. They’re not suddenly going to become perfect, wonderful capitalists overnight. Is that fair? Yeah. Yeah. Okay. Now, that’s enough of that. I want to talk a little Hollywood. Did you hear who the next James Bond might be?
SPEAKER 06 :
No. I always thought he was a black lesbian.
SPEAKER 03 :
Well, yeah, of course.
SPEAKER 06 :
But if they don’t do that, failing that… Is it the Ariana Grande’s other half? No.
SPEAKER 03 :
Tom Holland.
SPEAKER 06 :
I don’t mind that.
SPEAKER 03 :
Do you know Tom Holland? Of course. Oh, come on!
SPEAKER 06 :
Uncharted, Spider-Man.
SPEAKER 03 :
He’s 5’7″. Well… He’s a shrimp. What’s he going to do, secret missions to the Shire?
SPEAKER 06 :
Well, look at Tom Cruise out there.
SPEAKER 1 :
What?
SPEAKER 03 :
Yeah, but he’s not Tom Cruise, okay? No, Tom Holland’s too boyish. He’s boyish.
SPEAKER 06 :
Yeah, that’s better, I think.
SPEAKER 03 :
Does Tom Holland have Cruise as cool?
SPEAKER 06 :
No. No.
SPEAKER 03 :
Now, granted, they’re both, shall we say… Manlets. Hot. Little people. What?
SPEAKER 1 :
Jeez.
SPEAKER 03 :
You’re so troubled. You’re so troubled. So, I just want to get an idea. Who do you guys think should be the next James Bond?
SPEAKER 07 :
Me, personally? If I had dealer’s choice, Henry Cavill. Oh, I like that. I think he would be a killer James Bond. He’s got charisma. He’s got size. He’s got some charm to him. He’s a great actor. I think he’d do excellent.
SPEAKER 03 :
I’ve got another choice, but first I want to hear yours.
SPEAKER 06 :
I think just bring back Daniel Craig. Screw it.
SPEAKER 03 :
Well, he’s getting old. He’s getting old. By the way, he’s not that tall either. But my only problem, and who do you want again? Henry Cavill. Only problem is he’s getting up there. Henry Cavill is not a young guy anymore. So he’s going to age quickly. And this was a problem. They took way too long to put Pierce Brosnan into it so he could only do a few movies. I want to run one by you.
SPEAKER 07 :
Okay.
SPEAKER 03 :
Timothee Chalamet from from Dune.
SPEAKER 06 :
I feel like that’s the same route as Holland.
SPEAKER 07 :
I feel like he’s also.
SPEAKER 03 :
No, he’s taller.
SPEAKER 06 :
Oh, yeah. I mean, he he doesn’t look 30 and he’s 30.
SPEAKER 03 :
Yeah. But I mean, so you don’t think so. You don’t think I mean, he’s a dreamboat for all the girls. They go crazy over him. Any young guy can put on a few pounds in the weight room.
SPEAKER 07 :
I think maybe in 20 years he can play that role.
SPEAKER 03 :
20 years?
SPEAKER 07 :
You want him to start when he’s 50? Well, when he’s 50, he’ll look 35, and then I think that’ll be appropriate.
SPEAKER 03 :
Okay, we want 007, not 77. I’m trying to get something a little more youthful, somebody who can actually play for a long time. I guess I’m not selling well, am I? He’s a great actor.
SPEAKER 07 :
He’s a great actor. I think he’s too similar to Tom Holland. I think they feel like the same niche.
SPEAKER 03 :
But he’s taller and he’s cooler than Tom Holland. He’s cooler.
SPEAKER 07 :
He’s cooler. He is taller, but he’s not manlier.
SPEAKER 06 :
I’m still in for, I don’t know, I can’t think of any young male actor that’s coming up other than those two.
SPEAKER 07 :
Charlie Grimes is the next James Bond.
SPEAKER 03 :
Well, he turned it down.
SPEAKER 06 :
I think they gave… There was a page.
SPEAKER 07 :
Charlie’s ankles.
SPEAKER 03 :
He said, my ankles. Go ahead.
SPEAKER 06 :
I think they were… I saw something at some point once they were done with Craig that they would switch over to Idris Elba, but he’s also 50, so… Ah, go with Abe Black, James Bond. He’s English, too.
SPEAKER 03 :
There are several who would be cool. And Idris would have been very cool, but he’s too old.
SPEAKER 07 :
Yeah, he’s already too old. Sorry, man. Jamie Foxx could do well.
SPEAKER 03 :
Too old.
SPEAKER 07 :
Yeah.
SPEAKER 03 :
Come on, what is with you and the octogenarians that you want to be James Bond? I think James Bond needs to be… Are you saying he’d look really cool with a cane?
SPEAKER 07 :
I think you’ve got to go for the silver fox, a little salt and pepper in the hair kind of look. I feel like that’s very… What about Daniel Radcliffe? Daniel Radcliffe, huh?
SPEAKER 06 :
5’1 out there, however tall he is.
SPEAKER 03 :
uh no harry potter getting back to the shire uh no that’s not actually gonna work okay so we disagree on that personally i don’t think any of them are going to be it can’t no it can’t be tom holland i’m sorry he’s a little shrimp i mean that’s why he makes such a good spider-man that boyish face the look the tiny physique go ahead
SPEAKER 06 :
Aaron Taylor Johnson is my pick.
SPEAKER 03 :
Okay.
SPEAKER 06 :
Young, British, cool, kind of… That one will work. Kind of a badass, so, I mean… That one will work. I could see it.
SPEAKER 03 :
Okay. That one I’m going to give you, and one second here. Do we have someone chiming in? Is this John and Cheyenne? Yeah, hey.
SPEAKER 05 :
Hey, Andy.
SPEAKER 03 :
Hey, John. What do you got for us?
SPEAKER 05 :
The guy, I can’t remember his name. I’m drawing a blank that was in… played Elton John in the Elton John movies. Well, he’s pretty short, too. What is this? It’s hard to tell, but what about the other guy, Colin? Colin Firth? Is he too old now?
SPEAKER 03 :
Yeah, he’s too old. Colin Farrell’s too old. Colin Firth is too old. All the Collins are too old. Nobody’s naming their kid Colin anymore.
SPEAKER 05 :
Because they’re all too old?
SPEAKER 03 :
Yeah, unless they’re a girl. I mean, it’s a whole different age, man.
SPEAKER 05 :
How about we reverse it? Since they keep getting an American, an Englishman to play Superman, how about we get an American to play Bond?
SPEAKER 03 :
Well, Chalamet is French, I believe. So at least I was going with that. So I was going off the island.
SPEAKER 06 :
I think John was talking about Taron Egerton.
SPEAKER 03 :
Edgerton.
SPEAKER 06 :
Yeah. Kingsman as well.
SPEAKER 03 :
Edgerton, yeah.
SPEAKER 06 :
He’s not bad.
SPEAKER 03 :
No, I really like him, but he, again… It really worked for him to… What was it, Eggsy? Was that the role he played? Yeah. But that worked better, once again, because he was short. It kind of worked for the role, because he was a student. You know? I don’t know. I want somebody… Look, Sean Connery, Pierce Brosnan, these guys were tall. We just did a guy who was, I think, the lowest we can go. Was he 5’9″? Terrence 5’9″, as well.
SPEAKER 07 :
i don’t want to do it again i want somebody who’s eight foot okay eight feet tall i want michael bay’s optimus prime the robot to play oh that would be great he can transform into a truck i mean all the gadgets are right there no think about it noodle is in it what’s that john what’s those british cars that they always drive Austin Martin.
SPEAKER 03 :
Yeah, and Aston Martin. Yeah, he could transfer. That’s what I’m saying.
SPEAKER 07 :
It’s right there.
SPEAKER 03 :
He could become his own Aston Martin.
SPEAKER 07 :
If they end up using that, I’ll send them a bill.
SPEAKER 03 :
These are great ideas. These are going to sell.
SPEAKER 07 :
Aaron Taylor Johnson’s 511.
SPEAKER 03 :
I’m going to go with him.
SPEAKER 05 :
And he’s built, too. One other comment real quick. Go ahead. The reason they didn’t go to Pierce Brosnan sooner is that NBC wouldn’t let him do it because of his Remington Steel contract.
SPEAKER 03 :
I know.
SPEAKER 05 :
I know. And it really bugged a lot of people. Yeah, because he would have had the Timothy Dalton movies would have been his in addition to the ones he did. And it would have gave him, what, like a seven movie run or something?
SPEAKER 03 :
You think so? I think so because he was so… You know who should have done it when he was young and they could fake that he had hair? Jason Statham. Would he have been great?
SPEAKER 05 :
I love him.
SPEAKER 03 :
He would have been good. He would have been so cool.
SPEAKER 05 :
Andy, I’ll talk to you at 4.
SPEAKER 03 :
Hey, John, I’ll talk to you at 4. You take care. Okay. And one other thing really quick here, and then we’re going to take a break because I’ve got a couple of movies coming up, but I want to take a little time with this. Okay. Once again, Elio, the producers are whining about Elio, saying that it’s because we did an original story. No, that’s not why nobody’s going to Elio. Okay. I’m going to just put it to you guys. I put it to John. I’m going to put it to you guys. What if next summer Pixar came out with a movie that was masculine? I’m not talking toxic masculine, okay? I’m just talking masculine. Like, Cars was masculine, you know what I mean? Toy Story actually had a masculine feel to it. You could be masculine, you could be feminine. It celebrated both genders equally. It was just fun because Elio had literally no masculinity whatsoever in the movie. The director was gay. I don’t know if that played into it or not. Definitely. Maybe it played into it. He didn’t write it, though, so who knows? But this was, you just put out a movie that toxic masculinity was the villain. There was no masculinity whatsoever in the entire movie. And by the way, the last several Pixars have had no masculinity or virtually none. What if they turned that around and stopped hating men and made a movie, a good one? What do you think? Would it sell?
SPEAKER 06 :
I think it would sell more than Elio or whatever it’s called. ELO.
SPEAKER 03 :
Yeah, because it wasn’t that bad of a movie. It was an average movie, but it bombed. It had the worst start out ever for a Pixar. What do you think, Luke? I just think they’ve gone way too one way.
SPEAKER 07 :
I think the biggest issue isn’t masculine or feminine. It’s just, it’s saying nothing. It’s all just like studio corporate slop. It’s like there is no intent. There’s no message. There’s no artistry behind it. It is movies designed in a boardroom to hit market points.
SPEAKER 03 :
Well, they had a hardcore agenda in this movie.
SPEAKER 07 :
Yeah, but I think, agenda or not, it’s an agenda built by… the market, right? Where it’s like, here are points on our Excel sheet that we think will sell well.
SPEAKER 03 :
Okay. Then meet me halfway. Cause I think it was an agenda built on their view of the market, which is like, so you’re, because you’re right. They were hitting all the market points, but only on the left.
SPEAKER 07 :
Right. There’s like, if we do this, people will love it. If we do this, people love it. But there’s no like, I don’t know. You look at Toy Story, right? Toy Story had a message, right? There’s artistry behind there.
SPEAKER 03 :
Beautiful message. Innovative.
SPEAKER 07 :
Exactly. But that wasn’t a message built to a market share. That was a message built by someone who had something important to say that they cared about. And this is just, it’s just studio corporate slop. It’s just, here’s all the stuff that we think will sell well with a certain audience and we’ll throw it in there for, you know, points.
SPEAKER 03 :
I think they’ve got to let guys back in.
SPEAKER 07 :
Yeah.
SPEAKER 03 :
But I think everything you just said is true as well. Basically, quit reeling off corporate points and selling points and make an actual story, but also bring the guys back in because, hey, guess what? We’re not the evil ones. Sound good? Do we agree? Yeah. Have we fixed Pixar?
SPEAKER 07 :
I think so.
SPEAKER 03 :
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SPEAKER 15 :
Suck it up, buttercup. Back to Rush to Reason.
SPEAKER 03 :
And welcome back to Rush to Reason. Denver’s Afternoon Rush. KLZ 560. Andy Pate filling in for John Rush. Along with Tanner Cole. Man. And Luke Cash.
SPEAKER 07 :
Man.
SPEAKER 03 :
Luke. Yeah. It’s that time again. I got a question for you.
SPEAKER 07 :
It is? Are you ready for a movie? Yes! I’m always ready!
SPEAKER 03 :
You know, you might actually like this movie. I’m not sure. Okay, well, it’s time for another post-apocalyptic horror film in 40 Acres.
SPEAKER 05 :
How to kill all mosquitoes in the area in just minutes.
SPEAKER 03 :
Now, that was an ad, but there’s a post-apocalyptic horror to it. Do you feel that too? Because in a post-apocalyptic world, we’re going to have mosquitoes everywhere.
SPEAKER 07 :
What do you think? For a brief second, I thought it was like a really artfully done introduction to a movie trailer where it’ll start with an ad and zoom out to something. I don’t know.
SPEAKER 03 :
Somebody’s screaming, oh, no, the mosquitoes. And you’re in Japan, and you see thousands of people running from one side of the screen to the other to get away from the kaiju. What do you think?
SPEAKER 07 :
Scooby-Doo style, like move through the doorways. Yes, exactly.
SPEAKER 06 :
AI made a killer mosquito, and that’s the end of the world.
SPEAKER 07 :
You know what? You know what? Pixar, I’m here.
SPEAKER 03 :
Now, it would be a love story. Okay, I would make it and a musical at the same time.
SPEAKER 07 :
Do like a, it’s like the Bee movie, but with a mosquito in it. Okay.
SPEAKER 03 :
Let’s get back to 40 Acres.
SPEAKER 09 :
I know I’ve been hard on y’all. It takes hard work to survive. I’ve got the 24 to Freeman Live. You copy? Ain’t nobody pushing the seed through the soil, is there? No, ma’am. There’s nobody else out there like us. Freeman One, do you copy? We don’t need nothing and nobody. Reload. Work now. Yes, come on. Augusta 24, Freeman One, do you copy? Afternoon, Augusta.
SPEAKER 14 :
You’ve heard about the attack by now?
SPEAKER 09 :
Thought your Union army was going to come and take care of it.
SPEAKER 14 :
They’re dead. All of them.
SPEAKER 08 :
We could have left. People forget what animals were like.
SPEAKER 09 :
But what matters now is how we react. Shoot first. Don’t ask questions. We ain’t waiting on no revenge. They gonna end up dead anyway.
SPEAKER 04 :
I’m right there. Need help?
SPEAKER 09 :
Please.
SPEAKER 1 :
Oh, me.
SPEAKER 09 :
It’s right here.
SPEAKER 16 :
You don’t want us to trust anyone because you can’t trust anyone else.
SPEAKER 09 :
We don’t need nothing and nobody.
SPEAKER 16 :
Get back.
SPEAKER 1 :
Please.
SPEAKER 09 :
Please.
SPEAKER 1 :
Oh, God.
SPEAKER 09 :
Freeman 1 to Augusta 24, do you copy? We found your damn animals.
SPEAKER 03 :
Now pick up. All right, Luke, does that sound scarier than mosquitoes?
SPEAKER 07 :
Yes.
SPEAKER 03 :
All right, here we go. We’ve got to race through this because we’ve got a couple to do quick. In the future, the world has been decimated by a fungal pandemic. Kind of killed everything. Then you had civil war and then a famine. Now those remaining must focus on one thing. What to eat. That makes sense, right? Thus, mankind has returned to an agrarian age where good farmland is like gold. Not only must farmers work tirelessly to bring in the crops, but they must constantly fend off attackers trying to get in and steal from them. Well, this brings us to the Freeman family. Led by Mother Haley, she’s played by Danielle Deadweiler. I don’t know if you know her, but she’s a wonderful actress. Anyway, they are well-armed and skilled in both farming and killing to live. Another pronounced aspect of this family is their incredible work ethic. As Haley reminds them, we work now, we rest when we’re dead. That’s life for the Freemans. Well, naturally, this can be a bit much for the kids, right? But they manage. Problem is, they’re totally isolated except for radio contact with surrounding farms. They don’t know anyone. But now, one by one, these farms are going silent. Someone is taking them out. Remember how I said the focus was one thing, what to eat? Okay, well, it turns out there’s something else beyond corn crops. What if some people started eating people? Uh-oh.
SPEAKER 06 :
Yum.
SPEAKER 03 :
Yeah, that would be bad. Delicious. Yeah, delicious. It appears there are a large number of cannibals moving through the area, descending on farmers and feeding on them. What was always a war for survival is now a horrifying battle against the worst mankind can become. So here we have the Freemans no longer just fighting for their farm, but for their lives. These aren’t zombies they’re facing, since zombies don’t use guns. These are guys coming with guns, right? They’re hunting them. And since the Freemans are so isolated, they have no idea who to trust. And that is the story of 40 Acres. What do you think?
SPEAKER 07 :
I think it sounds pretty interesting.
SPEAKER 03 :
Yeah, it does. Well, what works in 40 Acres? First of all, in the midst of horror, this film conveys a hopeful sentiment about family. Very nice sentiment. I liked it. There is some superb acting, especially from Deadweiler. She’s a force. And she always is, any movie she’s in. You probably don’t know her. You kind of have to be a movie geek like me, but trust me, she’s good. Kateem O’Connor, he’s a young guy. He shines as her son, Emmanuel, while Michael Greyeyes, I don’t know if you know him, he’s gritty as this older guy, Galen. And he’s an Indian actor, and he’s always been very good. There’s also a good beginning with Kills in a Cornfield, and there’s a good ending. All right. What doesn’t work in 40 Acres? Unfortunately, everything else. All right.
SPEAKER 07 :
Oh, no.
SPEAKER 03 :
I hate to say it. Well, it’s terribly slow. It takes three quarters of the film before the villains show up. I’m not kidding. Let me say that again. It takes three quarters of the film before the villains show up. It’s far too slow in the horror buildup. We always talk about horror, right? Horror movies, it is such a directing balance. You’ve got to make sure that you build up enough for the horror to make it scary enough, but not too much to lose interest. Guys, I was nodding off. I know I’m an old man, but really, I shouldn’t be just nodding off there while I’m watching a horror film. This thing was plodding until the last quarter. Next, I hate to say this, this is truly the most racist film I’ve seen in many years. This film is to BLM what Barbie was to radical feminism. It is. Virtually all the cannibals are white. White people are either evil, desperate, incompetent, or flat-out helpless in this movie, while black and indigenous people are all good, well-meaning, courageous, and fantastic warriors. No. We have to always ask ourselves this question, Tanner. What if it were the opposite?
SPEAKER 06 :
Okay, so what if… People would actually have heard of this movie.
SPEAKER 03 :
Yes, yes, exactly, yes. What if it were black and Indian people who were evil, desperate, incompetent, and flat-out helpless, you know, while the white people were all good, well-meaning, courageous, and fantastic warriors, but they were being eaten by these evil black and indigenous people? their studio would be firebombed, right? I mean, the protests would be everywhere. By the way, you’re right. People would actually have heard about 40 Acres because no one’s heard of it because they have no budget pushing this movie, which surprises me. I’ve actually been looking forward to this movie for about six months. But unbelievable. The depiction of the races was what it had to be the most slanted I’ve seen maybe in five years. I don’t know. I’ve seen so many hundreds of movies. I lose track, but it was unbelievable, incredibly bigoted. The worst part, though, of this movie had nothing to do with race. It was the pace. Under two hours, and it felt like three hours. The middle portion, I love the opening scene. Now, once again, they’re having to kill a bunch of white folk coming on their land because the white folk are all coming to get them or whatever. But at least it was a really cool scene. Very excellent action. I liked it. I liked the cornfield scene. And I liked the ending. The middle was slow as could be. And it wasted some really good performances. The guy who plays her son is just terrific. uh katimo connor get used to him i want to see him in more stuff because he wasn’t just a tough kid he was he had a lot of feeling he was very torn on what he had to do you know killing it was very hard for him just to go out and kill i know he’s gee i’m doing it for the family but really so i was very impressed okay and finally here’s a smaller thing there was no they’re driving their vehicles around right in this post-apocalyptic world where’d they get the gas There are no gas stations. There’s nothing, okay? They don’t go anywhere. I mean, they don’t go far. So where are they getting the gas? Where are they filling up if they have no contact with the surrounding world?
SPEAKER 07 :
That’s a great question.
SPEAKER 03 :
Sorry, but for me, you know, and they’re rationing bullets and so forth. I’m thinking, well, that’s probably pretty wise. Where are you getting them at all? Yeah. I suppose maybe. Well, they did have an armory, which is very cool. Tons of cool guns. And so I guess they just had she was ex-military. So I guess they just still had it. But eventually that’s going to run out.
SPEAKER 06 :
Right. Well, I mean, fire a couple of rounds and.
SPEAKER 03 :
Well, pretty quick. Yeah.
SPEAKER 06 :
It reminds me of a movie we talked about earlier this year, like A Black Family in the Woods, post-apocalyptic. Right. I can’t remember what it was.
SPEAKER 03 :
That one was a little better. It was still slow, but it was a little bit better. This one was very slow. Although, I will say, when the bad guys are closing in on the farm, then it picks up. But that’s toward the end, right? You’re talking the last quarter. The last quarter of this movie, in my opinion, was at least four-star. Okay. Okay, but that’s a quarter of a film.
SPEAKER 06 :
Right. Let’s get a battle at some point.
SPEAKER 03 :
Yeah, yeah, yeah. It took way too long. Okay. Rotten Tomatoes gave 40 acres. What do you think?
SPEAKER 1 :
86.
SPEAKER 03 :
86. What do you guess?
SPEAKER 1 :
89. 89.
SPEAKER 03 :
88. My gosh, you guys are good. You guys are like really, really good.
SPEAKER 07 :
We know the critics.
SPEAKER 03 :
Right. The critics love that kind of agenda. And as I always say, I separate out the quality from the political, from the more religious. Now I’m going to do it. Quality, I’m going to give this one and a half stars.
SPEAKER 10 :
Oof.
SPEAKER 03 :
Yeah, it’s pretty bad. And the reason I’m giving it… I know people are thinking, well, if it’s that boring, why do you give it any? I give it that much because of the opening and ending were strong. Okay. Okay, when they do have war, when they do have people invading, and also because of the acting ability of a couple of characters. I thought it was very strong, very good. Some others were just kind of there. Okay. But… No, folks, you can’t make a movie setting aside all the agenda. I don’t care. Okay, the fact is you can’t make a movie this boring and slow and make me want to see it. There’s no way I would see it again, even if it had no agenda whatsoever. No way. And so when I think of a movie that there’s absolutely no way I’d see it again, I can’t give it a high grade. Fair enough? Yeah, fair enough. Okay, political, zero, obviously. I mean, it was offensive. It was… Outright offensive. By the way, I was the only white guy in the audience.
SPEAKER 06 :
What’s the movie I was talking about?
SPEAKER 03 :
That’s okay. I go to a lot of movies like that. I have fun, but it was just… What’s the movie I was talking about, Never Let Go?
SPEAKER 06 :
Yes. Okay.
SPEAKER 03 :
Yeah, which, by the way, was from a director I really like, but that one was better than this. Okay. More Religious 3. It had some downsides to it, but also a nice family message. I like that. So, More Religious, I’m giving it a 3. Do I recommend going to 40 Acres? Yes, if you are into BLM. And by the way, I’m not kidding when I say that. There are people who listen to us from the other political side. I’ll just say it. If you’re into BLM, then you will like the rage and hate and the depictions of people in this movie. You’ll think it’s really cool. Okay? Anyone else, you’re going to find this offensive and, oh, by the way, boring. So, no, I don’t recommend going to 40 acres. It’s not worth it. Unfortunate. Yeah. But guess what? We’ve got another movie coming up, and it’s a huge sequel. We’ll do that next. First up is Veteran Windows and Doors. Shop around, but don’t sign anything until you’ve met with Dave from Veteran. For the best quotes and better quality, call Veteran at 303-529-0720.
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SPEAKER 16 :
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SPEAKER 15 :
The best export we have is common sense. You’re listening to Rush to Reason.
SPEAKER 03 :
And welcome back to Rush to Reason, Denver’s Afternoon Rush, KLZ 560, Andy Pate filling in for John Rush, along with Luke Cash and Tanner Kolb. And Tanner! What’s up? Got a question for you. Yeah, what’s going on? We’ve known each other a while, you know, so can we get a little… 40 years. Yeah, about 40 years, and you’re only, what, 26? Yeah. I knew you before you were born. It was… I got great parents. You were a child of prophecy. Yeah. Yeah. Well, I got a question for you. Are you ready for a movie?
SPEAKER 10 :
I’m ready for a movie.
SPEAKER 03 :
Okay. Well, you know, Tanner, it’s yet another reboot for the lizards who eat people in Jurassic World Rebirth.
SPEAKER 08 :
Dr. Henry Loomis, this is Zora Bennett, our mission specialist. Sorry, what mission? This would be a medical breakthrough that could save countless lives. It comes from the largest dinosaurs on the planet. Whoa. Fortunately for us, all these species exist in one isolated place. Can you be ready tomorrow?
SPEAKER 09 :
I can guarantee your safety. I mean, more or less. More or less?
SPEAKER 08 :
He’s your guy?
SPEAKER 01 :
We’re the best at moving things and people in and out of places they shouldn’t be.
SPEAKER 04 :
We look towards Barbados, avoid government patrol, but there aren’t that many anymore.
SPEAKER 08 :
Why’s that?
SPEAKER 04 :
No one’s dumb enough to go where we’re going.
SPEAKER 14 :
This island was the research facility for the original Jurassic Park.
SPEAKER 08 :
We need DNA from the three biggest dinosaurs. Do we have to get a sample from an egg? I suppose we could try and get it from the parent, but they’re a flying carnivore the size of an F-16.
SPEAKER 14 :
Maybe we should make it quick.
SPEAKER 08 :
These dinosaurs were too dangerous for the original park. The worst of the worst. We’re left here.
SPEAKER 03 :
Scary, right? I was always scared by these movies. Are you guys or no?
SPEAKER 07 :
I remember when I was, because I had watched them when I was younger, I remember being pretty scared. They were, you know, they’re like filmed like horror movies.
SPEAKER 03 :
Yeah, the first one terrified me.
SPEAKER 06 :
Yeah, dark raining. They are kind of trapped in these cars and then dinosaur comes back.
SPEAKER 03 :
It’s pretty scary, dude.
SPEAKER 06 :
That got me.
SPEAKER 03 :
Although everybody laughed when the lawyer got eaten. Okay, here we go. It’s been a few years since the dinosaurs spread across the earth, but guess what? Many are dying again. It seems today’s Earth is generally inhospitable to the creatures, except in very tropical regions. That makes sense, right? And so we see them dying off in places like New York. Well, Scarlett Johansson, she stars as covert ops specialist Zora Bennett. After many missions, she’s grown weary of danger for hire, but now a scientist has a plan to use dinosaur DNA for curing cancer. Oh, sure. That’ll end well.
SPEAKER 07 :
It always does.
SPEAKER 03 :
Oh, yes. Well, along with paleontologist Harry Loomis, played by Jonathan Bailey, and mercenary Duncan Kincaid, played by Mahershala Ali, who is always good, Zora leads an expedition to the Caribbean island that is one of the last places that dinos thrive. It’s one of the only places left. Naturally, there’s danger everywhere. The mission? A mega-rich pharmaceutical company. Have you noticed how these are now the villains in many films? Pharmaceutical companies.
SPEAKER 06 :
They have been for decades. They are real-life villains, so it’s like an easy parallel.
SPEAKER 03 :
It’s been cranked up.
SPEAKER 06 :
This is our new dinosaur. Pfizer.
SPEAKER 03 :
Pfizer. I know. The Pfizer pod. I mean, they’re terrible. Well, anyway, they want to get DNA samples from three specific dinosaurs. These dinos must be living, which makes the venture incredibly risky. And you can’t just go up and say, hey, can I have a sample? Right. Just go in the bathroom. Sign this release form real quick. Yeah, it doesn’t quite go that well, but the payoff is massive. Well, the dinos aren’t making it easy, and they attack from land, sea, and air. Plenty of people become dino food, of course, while our core characters must find ways to survive. But can they survive? This place is just terrifying, and hungry T-Rex wants lunch. Mmm, delicious. What do you think, Tanner?
SPEAKER 06 :
I love Scarlett Johansson, but I don’t have a lot of hope for this one.
SPEAKER 03 :
Yeah, I like her. She’s got good personality.
SPEAKER 06 :
Oh, yeah.
SPEAKER 03 :
All right, here we go. First of all, what works in Jurassic World Rebirth? Well, the CGI blending with live action is as good as ever. Very impressive. Very impressive what they do. You can always tell they put the money into it and the time. Second, there are plenty of creative kills and tense moments. Some very good ones. You got one along a cliff. You got one when they’re in a boat going down, right, going out at sea. And they’ve got the sea ones all over the place. Very cool. Very well done. I just thought that they got more creative with the types of kills and their directions that the dinosaurs came from in this movie. That was neat. Joe Hanson, she’s a pure movie star offering the big screen gravitas we need from our heroine. And she does a good job with it. In fact, each of the characters has played pretty well. They really are. You’ve got, of course, the guy from the pharmaceutical company is obviously a jerk. I mean, you know, they have to do that every time. everybody is quite good the script is probably the best in recent years for the franchise i would say well no no you know what i’m gonna back off on that i’m gonna take i’m gonna take some shots at the script here in a moment i think i was too nice let me let me drop that But they have a family in this that is a rather touching family that they have, and they’re trying to survive as well. They’ve been kind of shipwrecked out there by the dinosaurs, and they’re trying to survive as well. So pretty good. Okay. And, of course, the action scenes are just very high action. These things are everywhere. Now, what doesn’t work in Jurassic World Rebirth? It feels like a rehash. Okay. Very, very predictable. This guy’s going to die. You just know it. That guy, too. It’s like watching a group of teens entering a cabin in a slasher flick.
SPEAKER 07 :
Yeah.
SPEAKER 03 :
Don’t go in there. It’s so formulaic.
SPEAKER 07 :
I’m hearing just the trailer. It sounded almost exactly like Kong Skull Island. Yeah, I know. You remember that from back in the day.
SPEAKER 03 :
Yeah, I know. It totally does.
SPEAKER 07 :
It’s the same setup, same plot, same situation. Interesting.
SPEAKER 03 :
Yeah, I mean, it was just crazy what it was like, and it was so predictable. I didn’t know what to do with it. The characters have interest, but they fall short of the Goldblum gang from the original. They’re not nearly as good, and I’ll get to why in a moment. And I don’t know how many times they can replay the old greedy companies with evil scientists do something really stupid theme. I mean, really? You’ve beat that to death, guys. The horse, it’s not just dead. It’s been buried for years.
SPEAKER 06 :
And it’s children.
SPEAKER 03 :
Yeah, it’s just like, stop! But here was the biggest thing. Scarlett Johansson is actually a very good comedic actress. I don’t know if you know this. She can turn a line. She can turn a phrase.
SPEAKER 06 :
She was fantastic in the Moon Landing movie. I thought that was the best she’s ever done.
SPEAKER 03 :
Yeah, well, she can do it. Jonathan Bailey can do it. Maher Shali Ali can do it, and some of the others can do it. Here’s what got me. I was watching the movie. There were so many times… when they had a perfect opportunity for a humorous moment. All they had to do was plug in a funny line. I was writing the lines in my head as I was watching it. I was like, oh, you should have said this then. Oh, you should have said that then. It would have been really funny. Oh, man, you could have put this in there. This movie was not very funny at all. It had a little bit of humor. It could have had so much. And so while I was watching this movie, I was just seeing wasted potential, wasted potential, wasted potential. And that is not what you want for a summer blockbuster. I don’t think this thing is going to do that well. I mean, obviously, it’s going to have a big week one. It’s July 4th. It’s the big July 4th movie. It’s certainly not going to be taken down by 40 acres. Okay, it just isn’t. But I think they fell short. Okay, Rotten Tomatoes gave this movie 52%. They were not impressed either. Well, once again, you’re watching pure formula. It was just pure formula. A lot of impressive stuff. Some impressive moments. But pure formula. I think you had an underused cast. Really. Scarlett Johansson can fly a lot higher, guys. You can do more with her and… To me, it seemed like she was kind of mailing it in because she didn’t have much to work with.
SPEAKER 06 :
They focused a little too much on the CGI and not the actual content of the movie.
SPEAKER 03 :
Exactly. And Luke, you’ve seen movies where you’ve known a lot of great actors. Oh, yeah. And you’ve seen them in a movie where the script, let’s face it, is not really doing much with it. And you can just see the actor kind of mail it in.
SPEAKER 10 :
Yeah.
SPEAKER 03 :
Okay. Where’s my check? And I was kind of seeing that with her. A couple others were trying, but it just wasn’t good.
SPEAKER 1 :
52%.
SPEAKER 03 :
Okay, quality, I’m going to go right down the middle, two and a half stars. This is not a bad movie. I certainly wasn’t bored. I mean, there were a lot of scary moments, right? A fair amount of action. And the formula… such that it is, at least it works, right? Political, I’m going to go two stars. Why? Because I’m just sick of beating up on big companies and this. They had a real strong message about We shouldn’t… Pharmaceutical companies shouldn’t get rich. They should just… There shouldn’t be any patents. Everybody should be able to sell everything. And I’m just kind of like, I’m sorry, guys. The free market don’t work that way. Without the profit motive, none of this happens, okay? More religious, three. There was nothing in it objectionable at all. It was fine. Do I recommend going to Jurassic World Rebirth? You know, sure. Sure. Why not? It’s not bad. It feels like a summer blockbuster. It’s a little boring, but it’s got plenty of tension, plenty of eating, okay? And, you know, not a great script, but that’s okay. You’ll get through it. And, by the way, there’s going to be a sequel coming after it, so it’ll set you up. What do you think? Tanner, you look bored.
SPEAKER 06 :
No, I’m not going to see it.
SPEAKER 03 :
You’re not going to see it. It’s not doing it for you. Luke, I know it’s not an art film.
SPEAKER 07 :
No, I’ll just go watch the original.
SPEAKER 03 :
What if they had all the dinosaurs wearing turtlenecks? Would you go?
SPEAKER 07 :
I’d consider that.
SPEAKER 03 :
Would that be arty enough?
SPEAKER 07 :
Yeah.
SPEAKER 03 :
Okay, let’s take a break. We’ll come back. We’ll do question of the day. Here we go. Geno’s Auto Service is next. If you’re on the west side of town, get your car fixed by the best. Go to Geno’s Auto, where great customer reviews tell the story. Call Geno’s at 303-794-6700.
SPEAKER 11 :
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SPEAKER 07 :
It gets ridiculous.
SPEAKER 03 :
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SPEAKER 18 :
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SPEAKER 03 :
And welcome back to Rush to Reason, Denver’s Afternoon Rush, KLZ 560, Andy Pate filling in for John Rush once again, along with Tanner Cole and Luke Cash. Man. All right, guys, let’s do yesterday’s impossible question. Actually, on Monday, I couldn’t get to it.
SPEAKER 07 :
Okay.
SPEAKER 03 :
We were a little too filled, but here we go. We’re going to do Mondays today because there was none for today. Perfect. Now you know. Okay. What does the 1967 Outer Space Treaty forbid?
SPEAKER 07 :
What year?
SPEAKER 1 :
1967.
SPEAKER 07 :
1967. What is it? Forbid?
SPEAKER 03 :
Yes. I don’t know. I’m going to give it. No one can own the moon.
SPEAKER 07 :
I guess that makes sense, huh?
SPEAKER 03 :
Yeah. Well, Elon is very upset. Just so you know, so is Bill Gates.
SPEAKER 07 :
Well, luckily, Elon Musk didn’t sign that treaty.
SPEAKER 03 :
Exactly. Yeah, so he’s not bound by it. He can do whatever he wants. Yeah, go by the moon.
SPEAKER 07 :
Just like how I never signed the Geneva Convention.
SPEAKER 03 :
Exactly. So you don’t have to follow that at all.
SPEAKER 07 :
Anything happens.
SPEAKER 03 :
You have a lot of people captured in your basement, don’t you? Yeah, I thought so. It also says you can’t colonize the sun, but nobody really cared much about that. Okay. Name the world’s, this is today’s impossible question, name the world’s largest island nation.
SPEAKER 07 :
Greenland? Australia? Island nation? Australia.
SPEAKER 03 :
Greenland? Australia? I would have thought it’s one of those. It is not. It’s not Australia? Yeah, and I’m not going to give the answer because it’s going to be on the next show that they’re going to give the answer. Believe it or not, this really surprised me. Okay. Right, because I would have gone right to Greenland or Australia. Yes. Or what about Antarctica?
SPEAKER 07 :
That’s a continent, right? Not an island. I don’t know what it is. I mean, no one really lives there.
SPEAKER 03 :
Nobody cares about Antarctica.
SPEAKER 06 :
That’s where they have the weather machines. Dude, they got penguins.
SPEAKER 03 :
I hear that’s where Trump is going to be keeping all the deportees. You know, it’s going to be Antarctica. Okay, really quick here. In the next hour, what are we going to be doing? What is our topic? Do some sitcoms. Yeah, best TV sitcoms. Do you guys like TV sitcoms? You don’t seem to be the types.
SPEAKER 06 :
When we were younger, definitely, because they were more prevalent and better.
SPEAKER 07 :
Yeah, there were some back on Cartoon Network and Nickelodeon, but never watched any of the classics, really.
SPEAKER 03 :
You know one that I like, which I won’t say because it’ll get me banned from TV, but Teen Titans Go.
SPEAKER 07 :
Get out of here. It’s one of the stupidest shows. Get out of here.
SPEAKER 03 :
I like it.
SPEAKER 07 :
It’s funny.
SPEAKER 03 :
Okay. Well, one thing I love about TV sitcoms is that’s what you binge watch at night a lot of times. Fair enough. Yes, and people still do it today. Okay, folks, that is it for our number one. In our two, once again, we’re going to be doing best sitcoms. Give us a call at 303-477-5600 if you want to tell us your favorite sitcom. Until then, keep it right here on Rush to Reason, KLZ 560.
SPEAKER 10 :
Average Guys. Average Guys.
