Andy Peth fills in on Rush to Reason with a powerful message for fiscal conservatives: pass the big spending bill or lose the House in 2026. He argues for strategic compromise to preserve a potential second Trump term, urging libertarians like Rand Paul to take a hard look at political reality. Then, it’s laughs and debates as Andy, Luke, and Tanner discuss who should play the next James Bond (spoiler: not Tom Holland), bash Pixar’s latest flop ‘Elio,’ and review the post-apocalyptic horror film 40 Acres, calling it slow, divisive, and agenda-driven. Finally, they tear into Jurassic World Rebirth—great
SPEAKER 07 :
Filling in is Andy Peth, party of choice. And I’m your host, Andy Peth, filling in for John Rush today. One more day. John’s going to be back next week. We are going to be off the rest of the week. Doing best of shows should be a lot of fun. I’m joined, of course, by Luke Cash and Tanner Coleman. I thought I’d throw it in for you because you haven’t been manly enough lately.
SPEAKER 05 :
What, you can’t handle this type of flow?
SPEAKER 07 :
I really can’t. I just can’t.
SPEAKER 06 :
You can’t handle that. I’m standing on business.
SPEAKER 07 :
All right. We’ve got a lot of Hollywood stuff to get to here in a moment. But first, I just want to talk for a moment about the big, beautiful bill. Okay. Just one little bit of politics. I just want to tell people. I know right now there are a lot of people out there who are complaining that it is too big and it’s spending too much. I want you to know I agree. But it has to. OK, because guess what? Right now, about 65 percent of Americans oppose the big, beautiful bill. And it’s not because if you look at the districts where they oppose it, it’s not because it spends too much. It’s because it spends too little. So for all my libertarian-leaning friends out there, for all the Rand Pauls, for all the Thomas Massys and those folks, I just want to be a little bit realistic with you. If we put through anything even remotely close to what you want or what I want, because fiscally that’s where I am, okay? I’m far right. I would be cut, cut, cut, cut, cut. Folks, if we did that, I guarantee you we would lose at least 20 to 30 seats in the House in 2026. Okay? What does that mean? That means the last two years of Trump’s presidency, there is no Trump presidency. Not a good idea. So, folks, I’m really hoping, really hoping in the next day or two they pass this thing, put it through. I know there’s more spending than we want, but the purest notion that we can just get by without it isn’t going to work. If we do that, we lose the house. We lose it massively. in 2026. And one other thing, I was noticing that some people were saying, why are we doing it so quickly? Why does it got to be right now? Why does it got to be right now? Let me tell you. And I’m going to throw it to you guys. Because too many American voters are dumb. All right. And here’s what I mean. When you’ve got 65% and this is 70% independents, by the way, who are looking at this, this thing that barely cuts, and saying it’s not enough spending, and we’re going to have all these terrible things happening. We’re going to lose our medical. We’re going to lose our homes. We’re going to lose everything. There’s going to be fires in the street. It’s going to be L.A., but nationally. And they’re saying this. This means that they do not know what’s coming. And so if we pass this right away, it means it’s going to have a full year before the next election season for them to see. Guess what? The only people off Medicaid are the ones who shouldn’t have been on Medicaid. OK, that it’s not the worst thing in the world for Medicare recipients. I mean, I’m sorry, not Medicare, but for welfare recipients to work 20 hours a week and pitch in a little bit that the world is not going to end. They need to see that there’s going to be an economic boom. They need to see all the goodness. And they need to see it for an extended period of time. So once again, Rand Paul, Thomas Massey, I got news for you. Your economics are exactly the same as mine. I agree with you on virtually everything under the sun. But it won’t sell. Not enough Americans agree with you. And we need that. Thoughts?
SPEAKER 05 :
Agreed. I briefly looked over the bill today. I thought there was a lot of good things in there. Some things I wasn’t 100% sure on. But the fact that we have millions of Americans that haven’t worked real jobs in who knows how long and who knows if they ever have is kind of shocking. And it goes to show you kind of the direction our country has been heading in for a while. Yeah. It’s laziness. And you can’t just care in the world about our country.
SPEAKER 07 :
And you can’t just turn that ship suddenly. Can you, Luke? I mean, if you do that suddenly, they’re just going to vote you out. That’s true. They need transition. You got to turn the barge around right now. You’ve got an entire America that’s been educated by the public education system for several decades. They’re not suddenly going to become perfect, wonderful capitalists overnight. Is that fair?
SPEAKER 06 :
Yeah.
SPEAKER 07 :
Yeah. Okay. Now that’s enough of that. I want to talk a little Hollywood. Did you hear who the next James Bond might be?
SPEAKER 05 :
No. I always thought he was a black lesbian.
SPEAKER 07 :
Well, yeah, of course. But if they don’t do that, failing that.
SPEAKER 05 :
Is it the Ariana Grande’s other half? No.
SPEAKER 07 :
Tom Holland.
SPEAKER 05 :
I don’t mind that.
SPEAKER 07 :
Do you know Tom Holland?
SPEAKER 05 :
Of course.
SPEAKER 07 :
Oh, come on.
SPEAKER 05 :
Uncharted, Spider-Man.
SPEAKER 07 :
He’s 5’7″. He’s a shrimp. What’s he going to do, secret missions to the Shire?
SPEAKER 05 :
Well, look at Tom Cruise out there.
SPEAKER 07 :
I mean, he’s not Tom Cruise, okay? No, Tom Holland’s too boyish. He’s boyish.
SPEAKER 05 :
Yeah, that’s better, I think.
SPEAKER 07 :
Does Tom Holland have Cruise as cool?
SPEAKER 05 :
No. No.
SPEAKER 07 :
Now, granted, they’re both… Shall we say… Man looks hot. Little people. What?
SPEAKER 1 :
Jeez.
SPEAKER 07 :
You’re so troubled. You’re so troubled. So I just want to get an idea. Who do you guys think should be the next James Bond?
SPEAKER 06 :
Me, personally? If I had dealer’s choice, Henry Cavill. Oh. I like that. I think he would be a killer James Bond. He’s got charisma. He’s got size. He’s got some charm to him. He’s a great actor. I think he’d do excellent.
SPEAKER 07 :
I’ve got another choice, but first I want to hear yours.
SPEAKER 05 :
I think just bring back Daniel Craig. Screw it.
SPEAKER 07 :
Well, he’s getting old. He’s getting old. By the way, he’s not that tall either. But my only problem, and who do you want again? Henry Cavill. Only problem is he’s getting up there. Henry Cavill is not a young guy anymore. So he’s going to age quickly. And this was a problem. They took way too long to put Pierce Brosnan into it so he could only do a few movies. I want to run one by you.
SPEAKER 06 :
Okay.
SPEAKER 07 :
timothy chalamet from from dune i feel like that’s the same route as holland i feel like he’s also no he’s taller oh yeah he i mean he he doesn’t look 30 and he’s 30 yeah but i mean so you don’t think so you don’t think i mean he’s a dream boat for all the girls they go crazy over him any young guy can put on a few pounds in the weight room
SPEAKER 06 :
I think maybe in 20 years he can play that role. 20 years? You want him to start when he’s 50? Well, when he’s 50, he’ll look 35, and then I think that’ll be appropriate.
SPEAKER 07 :
Okay, we want 007, not 77. I’m trying to get something a little more youthful, somebody who can actually play for a long time. I guess I’m not selling well, am I?
SPEAKER 06 :
He’s a great actor. He’s a great actor. I think he’s too similar to Tom Holland. I think they fill the same niche.
SPEAKER 07 :
But he’s taller, and he’s cooler than Tom Holland. He’s cooler.
SPEAKER 06 :
He’s cooler. He is taller, but he’s not manlier.
SPEAKER 05 :
I’m still in for, I don’t know, I can’t think of any young male actor that’s coming up other than those two.
SPEAKER 06 :
Charlie Grimes is the next James Bond.
SPEAKER 07 :
Well, he turned it down.
SPEAKER 05 :
I think they gave… There was a page.
SPEAKER 06 :
Charlie’s ankles.
SPEAKER 07 :
He said, my ankles. Go ahead.
SPEAKER 05 :
I think they were… I saw something at some point once they were done with Craig that they would switch over to Idris Elba, but he’s also 50, so… Ah, go with Abe Black, James Bond. He’s English, too.
SPEAKER 07 :
There are several who would be cool. And Idris would have been very cool, but he’s too old.
SPEAKER 05 :
Yeah, he’s already too old.
SPEAKER 06 :
Sorry, man. Jamie Foxx could do well.
SPEAKER 07 :
Too old.
SPEAKER 06 :
Yeah. come on we gotta go what what is with you and the octogenarians that you want that you want to be james bond i think james bond are you saying you look really cool with a cane i think he’s got you gotta go for like like the silver fox a little salt and pepper in the hair kind of look i feel like that’s very what about a daniel radcliffe daniel five one out there
SPEAKER 07 :
No.
SPEAKER 05 :
Harry Potter.
SPEAKER 07 :
Getting back to the Shire. No, that’s not actually going to work. Okay. So we disagree on that. Personally, I don’t think any of them are going to be. It can’t. No, it can’t be Tom Holland. I’m sorry. He’s a little shrimp. I mean, that’s why he makes such a good Spider-Man. That boyish face. The tiny physique. Go ahead.
SPEAKER 05 :
Aaron Taylor Johnson is my pick.
SPEAKER 07 :
Okay.
SPEAKER 05 :
Young, British, cool, kind of… That one will work. Kind of a badass, so, I mean… That one will work. I could see it.
SPEAKER 07 :
Okay. That one I’m going to give you, and one second here. Do we have someone chiming in? Is this John and Cheyenne? Yeah, hey.
SPEAKER 03 :
Hey, Andy.
SPEAKER 07 :
Hey, John. What do you got for us?
SPEAKER 03 :
The guy, I can’t remember his name. I’m drawing a blank that was in… played Elton John in the Elton John movies. Well, he’s pretty short, too. What is this? It’s hard to tell, but what about the other guy, Colin? Colin Firth? Is he too old now?
SPEAKER 07 :
Yeah, he’s too old. Colin Farrell’s too old. Colin Firth is too old. All the Collins are too old. Nobody’s naming their kid Colin anymore.
SPEAKER 03 :
Because they’re all too old?
SPEAKER 07 :
Yeah, unless they’re a girl. I mean, it’s a whole different age, man.
SPEAKER 03 :
How about we reverse it? Since they keep getting an American, an Englishman to play Superman, how about we get an American to play Bond?
SPEAKER 07 :
Well, Chalamet is French, I believe. So at least I was going with that. So I was going off the island.
SPEAKER 05 :
I think John was talking about Taron Egerton.
SPEAKER 07 :
Edgerton.
SPEAKER 05 :
Yeah. Kingsman as well.
SPEAKER 07 :
Edgerton, yeah.
SPEAKER 05 :
He’s not bad.
SPEAKER 07 :
No, I really like him, but he, again, it really worked for him to, what was it, Eggsy? Was that the role he played? Yeah. But that worked better, once again, because he was short. It kind of worked for the role because he was a student, you know. I don’t know. I want somebody… Look, Sean Connery, Pierce Brosnan, these guys were tall, okay? We just did a guy who was, I think, the lowest we can go. Was he 5’9″? Yeah.
SPEAKER 05 :
Terrence 5’9″, as well.
SPEAKER 07 :
I don’t want to do it again. I want somebody who’s 8′.
SPEAKER 06 :
Okay. Eight feet tall. I want Michael Bay’s Optimus Prime, the robot, to play GameCon. Oh, that would be great. He can transform into a truck. I mean, all the gadgets are right there. Think about it. Noodle that one. Shia LaBeouf is in it.
SPEAKER 07 :
John, what’s those British cars that they always drive?
SPEAKER 03 :
Austin Martin.
SPEAKER 07 :
Yeah, and Aston Martin. That’s what I’m saying.
SPEAKER 06 :
It’s right there.
SPEAKER 07 :
He could become his own Aston Martin.
SPEAKER 06 :
If they end up using that, I’ll send them a bill.
SPEAKER 07 :
These are great ideas. These are going to sell.
SPEAKER 05 :
Aaron Taylor Johnson’s 511.
SPEAKER 07 :
I’m going to go with him.
SPEAKER 03 :
And he’s built, too. One other comment real quick. Go ahead. The reason they didn’t go to Pierce Brosnan sooner is that NBC wouldn’t let him do it because of his Remington Steel contract. I know. I know. And it really bugged a lot of people. Yeah, because he would have had the Timothy Dalton movies would have been his in addition to the ones he did. And it would have gave him what, like seven movie run or something?
SPEAKER 07 :
You think so? I think so because he was so… You know who should have done it when he was young and they could fake that he had hair? Jason Statham. Would he have been great?
SPEAKER 03 :
I love him.
SPEAKER 07 :
He would have been good. He would have been so cool.
SPEAKER 03 :
Andy, I’ll talk to you at 4.
SPEAKER 07 :
Hey, John, I’ll talk to you at 4. You take care. Okay. And one other thing really quick here, and then we’re going to take a break because I’ve got a couple of movies coming up, but I want to take a little time with this. Okay. Once again, Elio, the producers are whining about Elio, saying that it’s because we did an original story. No, that’s not why nobody’s going to Elio. Okay. I’m going to just put it to you guys. I put it to John. I’m going to put it to you guys. What if next summer Pixar came out with a movie that was masculine? I’m not talking toxic masculine, okay? I’m just talking masculine. Like, Cars was masculine, you know what I mean? Toy Story actually had a masculine feel to it. You could be masculine, you could be feminine. It celebrated both genders equally. It was just fun because Elio had literally no masculinity whatsoever in the movie. The director was gay. I don’t know if that played into it or not. Definitely. Maybe it played into it. He didn’t write it, though, so who knows? But this was, you just put out a movie that toxic masculinity was the villain. There was no masculinity whatsoever in the entire movie. And by the way, the last several Pixars have had no masculinity or virtually none. What if they turned that around and stopped hating men and made a movie, a good one? What do you think? Would it sell?
SPEAKER 05 :
I think it would sell more than Elio or whatever it’s called. ELO.
SPEAKER 07 :
Yeah, because it wasn’t that bad of a movie. It was an average movie, but it bombed. It had the worst start out ever for a Pixar. What do you think, Luke? I just think they’ve gone way too one way.
SPEAKER 06 :
I think the biggest issue isn’t masculine or feminine. It’s just, it’s saying nothing. It’s all just like studio corporate slop. It’s like there is no intent. There’s no message. There’s no artistry behind it. It is movies designed in a boardroom to hit market points.
SPEAKER 07 :
Well, they had a hardcore agenda in this movie.
SPEAKER 06 :
Yeah, but I think, agenda or not, it’s an agenda built by… the market, right? Where it’s like, here are points on our Excel sheet that we think will sell well.
SPEAKER 07 :
Okay. Then meet me halfway. Cause I think it was an agenda built on their view of the market, which is only one side. It’s like, so you’re, because you’re right. They were hitting all the market points, but only on the left.
SPEAKER 06 :
Right. There’s like, if we do this, people will love it. If we do this, people love it. But there’s no like, I don’t know. You look at Toy Story, right? Toy Story had a message, right? There’s artistry behind there.
SPEAKER 07 :
Beautiful message. Innovative.
SPEAKER 06 :
Exactly. But that wasn’t a message built to a market share. That was a message built by someone who had something important to say that they cared about. And this is just, it’s just studio corporate slop. It’s just, here’s all the stuff that we think will sell well with a certain audience and we’ll throw it in there for, you know, points.
SPEAKER 07 :
I think they’ve got to let guys back in.
SPEAKER 06 :
Yeah.
SPEAKER 07 :
But I think everything you just said is true as well. Basically, quit reeling off corporate points and selling points and make an actual story, but also bring the guys back in because, hey, guess what? We’re not the evil ones. Sound good? Do we agree?
SPEAKER 06 :
Yeah.
SPEAKER 07 :
Have we fixed Pixar?
SPEAKER 06 :
I think so. Maybe.
SPEAKER 07 :
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SPEAKER 12 :
Suck it up, buttercup. Back to Rush to Reason.
SPEAKER 07 :
And welcome back to Rush to Reason. Denver’s Afternoon Rush. KLZ 560. Andy Peth filling in for John Rush. Along with Tanner Cole.
SPEAKER 06 :
Man.
SPEAKER 07 :
And Luke Cash.
SPEAKER 06 :
Man.
SPEAKER 07 :
Luke. Yeah. It’s that time again. I got a question for you.
SPEAKER 06 :
It is? Are you ready for a movie? Yes! I’m always ready!
SPEAKER 07 :
You know, you might actually like this movie. I’m not sure.
SPEAKER 06 :
All right.
SPEAKER 07 :
Okay, well, it’s time for another post-apocalyptic horror film in 40 Acres.
SPEAKER 03 :
How to kill all mosquitoes in the area in just minutes.
SPEAKER 07 :
Now, that was an ad, but there’s a post-apocalyptic horror to it. Do you feel that too? Because in a post-apocalyptic world, we’re going to have mosquitoes everywhere.
SPEAKER 06 :
What do you think? For a brief second, I thought it was like a really artfully done introduction to a movie trailer where it’ll start with an ad and zoom out to something. I don’t know.
SPEAKER 07 :
Somebody’s screaming, oh, no, the mosquitoes. And you’re in Japan, and you see thousands of people running from one side of the screen to the other to get away from the kaiju. What do you think?
SPEAKER 06 :
A little Scooby-Doo style move through the doorways.
SPEAKER 05 :
Yes, exactly. AI made a killer mosquito, and that’s the end of the world.
SPEAKER 06 :
You know what? You know what? Pixar, I’m here.
SPEAKER 07 :
Now, it would be a love story. Okay, I would make it and a musical at the same time.
SPEAKER 06 :
Do like a… It’s like the Bee movie, but with a mosquito in it. Okay.
SPEAKER 07 :
Let’s get back to 40 Acres.
SPEAKER 04 :
I know I’ve been hard on y’all. It takes hard work to survive. I’ve got the 24 to Freeman Live. You copy? Ain’t nobody pushing the seed through the soil, is there? No, ma’am. There’s nobody else out there like us. Freeman One, do you copy? We don’t need nothing and nobody. Reload. Work now. Yes, come on. Augusta 24, Freeman One, do you copy? Afternoon, Augusta.
SPEAKER 10 :
You’ve heard about the attack by now?
SPEAKER 04 :
Thought your Union army was going to come and take care of it.
SPEAKER 12 :
They’re dead.
SPEAKER 1 :
All of them.
SPEAKER 14 :
We could have left. People forget what animals were like.
SPEAKER 04 :
What matters now is how we react. Shoot first. Don’t ask questions. We ain’t waiting on no revenge. They gonna end up dead anyway. Stop right there! Need help? Please! All we need is right here. You don’t want us to trust anyone because you can’t trust anyone else. We don’t need nothing and nobody. Get back! Please! Please! Freeman 1 to Augusta 24, do you copy? We found your damn animals.
SPEAKER 07 :
Now pick up. All right, Luke, does that sound scarier than mosquitoes?
SPEAKER 06 :
Yes.
SPEAKER 07 :
All right, here we go. We’ve got to race through this because we’ve got a couple to do quick. In the future, the world has been decimated by a fungal pandemic. Kind of killed everything. Then you had civil war and then a famine. Now those remaining must focus on one thing. What to eat. That makes sense, right? Thus, mankind has returned to an agrarian age where good farmland is like gold. Not only must farmers work tirelessly to bring in the crops, but they must constantly fend off attackers trying to get in and steal from them. Well, this brings us to the Freeman family. Led by Mother Haley, she’s played by Danielle Deadweiler. I don’t know if you know her, but she’s a wonderful actress. Anyway, they are well-armed and skilled in both farming and killing to live. Another pronounced aspect of this family is their incredible work ethic. As Haley reminds them, we work now, we rest when we’re dead. That’s life for the Freemans. Well, naturally, this can be a bit much for the kids, right? But they manage. Problem is, they’re totally isolated except for radio contact with surrounding farms. They don’t know anyone. But now, one by one, these farms are going silent. Someone is taking them out. Remember how I said the focus was one thing, what to eat? Okay, well, it turns out there’s something else beyond corn crops. What if some people started eating people? Uh-oh.
SPEAKER 05 :
Yum.
SPEAKER 07 :
Yeah, that would be bad. Delicious. Yeah, delicious. It appears there are a large number of cannibals moving through the area, descending on farmers and feeding on them. What was always a war for survival is now a horrifying battle against the worst mankind can become. So here we have the Freemans no longer just fighting for their farm, but for their lives. These aren’t zombies they’re facing, since zombies don’t use guns. These are guys coming with guns, right? They’re hunting them. And since the Freemans are so isolated, they have no idea who to trust. And that is the story of 40 Acres. What do you think?
SPEAKER 06 :
I think it sounds pretty interesting.
SPEAKER 07 :
Yeah, it does. Well, what works in 40 Acres? First of all, in the midst of horror, this film conveys a hopeful sentiment about family. Very nice sentiment. I liked it. There is some superb acting, especially from Deadweiler. She’s a force. And she always is, any movie she’s in. You probably don’t know her. You kind of have to be a movie geek like me, but trust me, she’s good. Kateem O’Connor, he’s a young guy. He shines as her son, Emmanuel, while Michael Greyeyes, I don’t know if you know him, he’s gritty as this older guy, Galen. And he’s an Indian actor, and he’s always been very good. There’s also a good beginning with Kills in a Cornfield, and there’s a good ending. All right. What doesn’t work in 40 acres? Unfortunately, everything else. All right.
SPEAKER 06 :
Oh, no.
SPEAKER 07 :
I hate to say it. Well, it’s terribly slow. It takes three quarters of the film before the villains show up. I’m not kidding. Let me say that again. It takes three quarters of the film before the villains show up. It’s far too slow in the horror buildup. We always talk about horror, right? Horror movies, it is such a directing balance. You’ve got to make sure that you build up enough for the horror to make it scary enough, but not too much to lose interest. Guys, I was nodding off. I know I’m an old man, but really, I shouldn’t be just nodding off there while I’m watching a horror film. This thing was plodding until the last quarter. Next, I hate to say this, this is truly the most racist film I’ve seen in many years. This film is to BLM what Barbie was to radical feminism. It is. Virtually all the cannibals are white. White people are either evil, desperate, incompetent, or flat-out helpless in this movie, while black and indigenous people are all good, well-meaning, courageous, and fantastic warriors. No. We have to always ask ourselves this question, Tanner. What if it were the opposite?
SPEAKER 05 :
Okay, so what if… People would actually have heard of this movie. Yes, yes, exactly, yes.
SPEAKER 07 :
What if it were black and Indian people who were evil, desperate, incompetent, and flat-out helpless, you know, while the white people were all good, well-meaning, courageous, and fantastic warriors, but they were being eaten by these evil black and indigenous people? their studio would be firebombed, right? I mean, the protests would be everywhere. By the way, you’re right. People would actually have heard about 40 Acres because no one’s heard of it because they have no budget pushing this movie, which surprises me. I’ve actually been looking forward to this movie for about six months. But unbelievable. The depiction of the races was what it had to be the most slanted I’ve seen maybe in five years. I don’t know. I’ve seen so many hundreds of movies. I lose track, but it was unbelievable. Incredibly bigoted. The worst part, though, of this movie had nothing to do with race. It was the pace. Under two hours, and it felt like three hours. The middle portion, I love the opening scene. Now, once again, they’re having to kill a bunch of white folk coming on their land because the white folk are all coming to get them or whatever. But at least it was a really cool scene. Very excellent action. I liked it. I liked the cornfield scene. And I liked the ending. The middle was slow as could be, and it wasted some really good performances. The guy who plays her son is just terrific. Katim O’Connor, get used to him. I want to see him in more stuff. Because he wasn’t just a tough kid. He had a lot of feeling. He was very torn on what he had to do, you know, killing. It was very hard for him just to go out and kill. I know he’s, gee, I’m doing it for the family, but really?
SPEAKER 08 :
Mm-hmm.
SPEAKER 07 :
So I was very impressed. Okay. And finally, here’s a smaller thing. They’re driving their vehicles around, right, in this post-apocalyptic world. Where do they get the gas? There are no gas stations. There’s nothing. Okay. They don’t go anywhere. I mean, they don’t go far. So where are they getting the gas? Where are they fueling up if they have no contact with the surrounding world?
SPEAKER 06 :
That’s a great question.
SPEAKER 07 :
Okay. Sorry, but for me, you know, and they’re rationing bullets and so forth. I’m thinking, well, that’s probably pretty wise. Where are you getting them at all? Yeah. I suppose maybe. Well, they did have an armory, which is very cool. Tons of cool guns. And so I guess they just had she was ex-military. So I guess they just still had it. But eventually that’s going to run out.
SPEAKER 05 :
Right. Well, I mean, fire a couple of rounds and.
SPEAKER 07 :
Well, pretty quick. Yeah.
SPEAKER 05 :
It reminds me of a movie we talked about earlier this year, like A Black Family in the Woods, post-apocalyptic. Right. I can’t remember what it was.
SPEAKER 07 :
That one was a little better. It was still slow, but it was a little bit better. This one was very slow. Although, I will say, when the bad guys are closing in on the farm, then it picks up. But that’s toward the end, right? You’re talking the last quarter. The last quarter of this movie, in my opinion, was at least four-star. Okay. Okay, but that’s a quarter of a film.
SPEAKER 05 :
Right. Let’s get a battle at some point.
SPEAKER 07 :
Yeah, yeah, yeah. It took way too long. Okay. Rotten Tomatoes gave 40 acres. What do you think?
SPEAKER 1 :
86.
SPEAKER 07 :
86.
SPEAKER 06 :
What do you guess? 89.
SPEAKER 07 :
88. My gosh, you guys are good. You guys are like really, really good.
SPEAKER 06 :
We know the critics.
SPEAKER 07 :
Right. The critics love that kind of agenda. And as I always say, I separate out the quality from the political, from the more religious. Now I’m going to do it. Quality, I’m going to give this one and a half stars.
SPEAKER 08 :
Oof.
SPEAKER 07 :
Yeah, it’s pretty bad. And the reason I’m giving it… I know people are thinking, well, if it’s that boring, why do you give it any? I give it that much because of the opening and ending were strong. Okay. Okay, when they do have war, when they do have people invading. And also because of the acting ability of a couple of characters. I thought it was very strong, very good. Some others were just kind of there. Okay. But… No, folks, you can’t make a movie setting aside all the agenda. I don’t care. Okay, the fact is you can’t make a movie this boring and slow and make me want to see it. There’s no way I would see it again, even if it had no agenda whatsoever. No way. And so when I think of a movie that there’s absolutely no way I’d see it again, I can’t give it a high grade. Fair enough? Yeah, fair enough. Okay, political, zero, obviously. I mean, it was offensive. It was… Outright offensive. By the way, I was the only white guy in the audience.
SPEAKER 05 :
What’s the movie I was talking about?
SPEAKER 07 :
That’s okay. I go to a lot of movies like that. I have fun, but it was just… What’s the movie I was talking about, Never Let Go?
SPEAKER 05 :
Yes. Okay.
SPEAKER 07 :
Yeah, which, by the way, was from a director I really like, but that one was better than this. Okay. More Religious 3. It had some downsides to it, but also a nice family message. I like that. So, More Religious, I’m giving it a 3. Do I recommend going to 40 Acres? Yes, if you are into BLM. And by the way, I’m not kidding when I say that. There are people who listen to us from the other political side. I’ll just say it. If you’re into BLM, then you will like the rage and hate and the depictions of people in this movie. You’ll think it’s really cool. Okay? Anyone else, you’re going to find this offensive and, oh, by the way, boring. So, no, I don’t recommend going to 40 acres. It’s not worth it. Unfortunate. Yeah. But guess what? We’ve got another movie coming up, and it’s a huge sequel. We’ll do that next. First up is Veteran Windows and Doors. Shop around, but don’t sign anything until you’ve met with Dave from Veteran. For the best quotes and better quality, call Veteran at 303-529-0720.
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SPEAKER 13 :
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SPEAKER 03 :
The best export we have is common sense. You’re listening to Rush to Reason.
SPEAKER 07 :
And welcome back to Rush to Reason, Denver’s Afternoon Rush, KLZ 560, Andy Peth filling in for John Rush, along with Luke Cash and Tanner Kolb.
SPEAKER 05 :
And Tanner!
SPEAKER 07 :
What’s up? Got a question for you. Yeah, what’s going on? We’ve known each other a while, you know, so can we get a little… 40 years. Yeah, about 40 years, and you’re only, what, 26? Yeah. I knew you before you were born. It was… I got great parents. You were a child of prophecy. Yeah. Yeah. Well, I got a question for you. Are you ready for a movie?
SPEAKER 08 :
I’m ready for a movie.
SPEAKER 07 :
Okay. Well, you know, Tanner, it’s yet another reboot for the lizards who eat people in Jurassic World Rebirth.
SPEAKER 14 :
Dr. Henry Loomis, this is Zora Bennett. I’m a mission specialist. Sorry, what mission? This would be a medical breakthrough that could save countless lives. It comes from the largest dinosaurs on the planet. Whoa. Fortunately for us, all these species exist in one isolated place. Can you be ready tomorrow?
SPEAKER 04 :
I can guarantee your safety. I mean, more or less. More or less?
SPEAKER 14 :
He’s your guy?
SPEAKER 01 :
We’re the best at moving things and people in and out of places they shouldn’t be.
SPEAKER 12 :
We look towards Barbados, avoid government patrol, but there aren’t that many anymore.
SPEAKER 14 :
Why’s that?
SPEAKER 12 :
No one’s dumb enough to go where we’re going.
SPEAKER 04 :
This island was the research facility for the original Jurassic Park.
SPEAKER 14 :
We need DNA from the three biggest dinosaurs. Do we have to get a sample from an egg? I suppose we could try and get it from the parent, but they’re a flying carnival the size of an F-16.
SPEAKER 04 :
Maybe we should make it quick.
SPEAKER 14 :
These dinosaurs were too dangerous for the original park.
SPEAKER 04 :
Freezos say they’re raptors. They’re raptors.
SPEAKER 14 :
The worst of the worst were left here.
SPEAKER 07 :
Ooh, scary, right? Ooh. I was always scared by these movies. Are you guys or no?
SPEAKER 06 :
I remember when I was, because I had watched them when I was younger, I remember being pretty scared. They were, you know, they’re like filmed like horror movies.
SPEAKER 07 :
Yeah, the first one terrified me.
SPEAKER 05 :
Yeah, dark raining. They are kind of trapped in these cars and then dinosaur comes back. It’s pretty scary, dude. That got me.
SPEAKER 07 :
Although everybody laughed when the lawyer got eaten. Okay, here we go. It’s been a few years since the dinosaurs spread across the earth, but guess what? Many are dying again. It seems today’s Earth is generally inhospitable to the creatures, except in very tropical regions. That makes sense, right? And so we see them dying off in places like New York. Well, Scarlett Johansson, she stars as covert ops specialist Zora Bennett. After many missions, she’s grown weary of danger for hire, but now a scientist has a plan to use dinosaur DNA for curing cancer. Oh, sure. That’ll end well.
SPEAKER 06 :
It always does.
SPEAKER 07 :
Oh, yes. Well, along with paleontologist Harry Loomis, played by Jonathan Bailey, and mercenary Duncan Kincaid, played by Mahershala Ali, who is always good, Zora leads an expedition to the Caribbean island that is one of the last places that dinos thrive. It’s one of the only places left. Naturally, there’s danger everywhere. The mission? A mega-rich pharmaceutical company. Have you noticed how these are now the villains in many films? Pharmaceutical companies.
SPEAKER 05 :
Well, they have been for decades. They are real-life villains, so it’s like an easy parallel.
SPEAKER 07 :
It’s been cranked up.
SPEAKER 05 :
This is our new dinosaur. Pfizer.
SPEAKER 07 :
Pfizer. I know. The Pfizer pod. I mean, they’re terrible. Well, anyway, they want to get DNA samples from three specific dinosaurs. These dinos must be living, which makes the venture incredibly risky. And you can’t just go up and say, hey, can I have a sample?
SPEAKER 06 :
Right.
SPEAKER 07 :
Just go in the bathroom.
SPEAKER 06 :
Sign this release form real quick.
SPEAKER 07 :
Yeah, it doesn’t quite go that well. But the payoff is massive. Well, the dinos aren’t making it easy and they attack from land, sea, and air. Plenty of people become dino food, of course, while our core characters must find ways to survive. But can they survive? This place is just terrifying and hungry T-Rex wants lunch. Mmm, delicious. What do you think, Tanner?
SPEAKER 05 :
I love Scarlett Johansson, but I don’t have a lot of hope for this one.
SPEAKER 07 :
Yeah, I like her. She’s got good personality.
SPEAKER 05 :
Oh, yeah.
SPEAKER 07 :
All right, here we go. First of all, what works in Jurassic World Rebirth? Well, the CGI blending with live action is as good as ever. Very impressive. Very impressive what they do. You can always tell they put the money into it and the time. Second, there are plenty of creative kills and tense moments. Some very good ones. You got one along a cliff. You got one when they’re in a boat going down, right, going out at sea. And they’ve got the sea ones all over the place. Very cool. Very well done. I just thought that they got more creative with the types of kills and their directions that the dinosaurs came from in this movie. That was neat. Joe Hanson, she’s a pure movie star offering the big screen gravitas we need from our heroine. And she does a good job with it. In fact, each of the characters has played pretty well. They really are. You’ve got, of course, the guy from the pharmaceutical company is obviously a jerk. I mean, you know, they have to do that every time. everybody is quite good the script is probably the best in recent years for the franchise i would say well no no you know what i’m gonna back off on that i’m gonna take i’m gonna take some shots at the script here in a moment i think i was too nice let me let me drop that But they have a family in this that is a rather touching family that they have, and they’re trying to survive as well. They’ve been kind of shipwrecked out there by the dinosaurs, and they’re trying to survive as well. So pretty good. Okay. And, of course, the action scenes are just very high action. These things are everywhere. Now, what doesn’t work in Jurassic World Rebirth? Okay. It feels like a rehash. Okay. Very, very predictable. This guy’s going to die. You just know it. That guy too. It’s like watching a group of teens entering a cabin in a slasher flick.
SPEAKER 06 :
Yeah.
SPEAKER 07 :
Don’t go in there. It’s so formulaic.
SPEAKER 06 :
I’m hearing just the trailer. It sounded almost exactly like Kong Skull Island. Yeah, I know. You remember that from back in the day.
SPEAKER 07 :
Yeah, I know. It totally does.
SPEAKER 06 :
It’s the same setup, same plot, same situation and interesting.
SPEAKER 07 :
Yeah. I mean, it was just crazy what it was like. And it was so predictable. I didn’t know what to do with it. The characters have interest, but they fall short of the Goldblum gang from the original. They’re not nearly as good. And I’ll get to why in a moment. And I don’t know how many times they can replay the old greedy companies with evil scientists do something really stupid theme. I mean, really? You’ve beat that to death.
SPEAKER 05 :
Right.
SPEAKER 07 :
Guys, the horse, it’s not just dead. It’s been buried for years.
SPEAKER 05 :
And it’s children.
SPEAKER 07 :
Yeah. It’s just like, stop. But here was the biggest thing. Scarlett Johansson is actually a very good comedic actress. I don’t know if you know this. She can turn a line. She can turn a phrase. Sure.
SPEAKER 05 :
She was fantastic in the moon landing movie. I thought that was the best she’s ever done.
SPEAKER 07 :
Yeah, well, she can do it. Jonathan Bailey can do it. Maher Shali Ali can do it. And some of the others can do it. Here’s what got me. I was watching the movie. There were so many times… when they had a perfect opportunity for a humorous moment. All they had to do was plug in a funny line. I was writing the lines in my head as I was watching it. I was like, oh, you should have said this then. Oh, you should have said that then. It would have been really funny. Oh, man, you could have put this in there. This movie was not very funny at all. It had a little bit of humor. It could have had so much. And so while I was watching this movie, I was just seeing wasted potential, wasted potential, wasted potential. And that is not what you want for a summer blockbuster. I don’t think this thing is going to do that well. I mean, obviously, it’s going to have a big week one. It’s July 4th. You know, it’s the big July 4th movie. It’s certainly not going to be taken down by 40 acres. Okay, it just isn’t. But I think they fell short. Okay, Rotten Tomatoes gave this movie 52%. They were not impressed either. Well, once again, you’re watching pure formula. It was just pure formula. A lot of impressive stuff. Some impressive moments. But pure formula. I think you had an underused cast. Really. Scarlett Johansson can fly a lot higher, guys. You can do more with her and… To me, it seemed like she was kind of mailing it in because she didn’t have much to work with.
SPEAKER 05 :
They focused a little too much on the CGI and not the actual, you know, content of the movie.
SPEAKER 07 :
Exactly. And Luke, you’ve seen movies where you’ve known a lot of great actors.
SPEAKER 05 :
Oh, yeah.
SPEAKER 07 :
And you’ve seen them in a movie where the script, let’s face it, is not really doing much with it. And you can just see the actor kind of mail it in.
SPEAKER 08 :
Yeah.
SPEAKER 07 :
Okay. Where’s my check? And I was kind of seeing that with her. A couple others were trying, but it just wasn’t good.
SPEAKER 1 :
52%.
SPEAKER 07 :
Okay, quality, I’m going to go right down the middle, two and a half stars. This is not a bad movie. I certainly wasn’t bored. I mean, there were a lot of scary moments, right? A fair amount of action. And the formula… such that it is, at least it works, right? Political, I’m going to go two stars. Why? Because I’m just sick of beating up on big companies and this. They had a real strong message about We shouldn’t, pharmaceutical companies shouldn’t get rich. They should just, there shouldn’t be any patents. Everybody should be able to sell everything. And I’m just kind of like, I’m sorry, guys, the free market don’t work that way. Without the profit motive, none of this happens, okay? More religious, three. There was nothing in it objectionable at all. It was fine. Do I recommend going to Jurassic World Rebirth? You know, sure. Why not? It’s not bad. It feels like a summer blockbuster. It’s a little boring, but it’s got plenty of tension, plenty of eating, okay? And, you know, not a great script, but that’s okay. You’ll get through it. And, by the way, there’s going to be a sequel coming after it, so it’ll set you up. What do you think? Tanner, you look bored.
SPEAKER 05 :
No, I’m not going to see it.
SPEAKER 07 :
You’re not going to see it. It’s not doing it for you. Luke, I know it’s not an art film.
SPEAKER 06 :
No, I’ll just go watch the original. What?
SPEAKER 07 :
What if they had all the dinosaurs wearing turtlenecks? Would you go?
SPEAKER 06 :
I’d consider that.
SPEAKER 07 :
Would that be arty enough?
SPEAKER 06 :
Yeah.
SPEAKER 07 :
Okay, let’s take a break. We’ll come back. We’ll do question of the day. Here we go. Geno’s Auto Service is next. If you’re on the west side of town, get your car fixed by the best. Go to Geno’s Auto, where great customer reviews tell the story. Call Geno’s at 303-794-6700.
SPEAKER 10 :
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SPEAKER 07 :
Ridgeline Auto Brokers. Right now, new cars are too expensive. Have you guys seen some of the new car prices?
SPEAKER 06 :
Oh, yeah. It gets ridiculous.
SPEAKER 07 :
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SPEAKER 15 :
Are you in the market for a reliable car that won’t break the bank? DriveRadio’s sponsor, Ridgeline Auto Brokers, specializes in quality used cars that cost between $15,000 to $25,000, making them a great option for first-time drivers or anyone looking for a good deal. They pride themselves on providing a transparent and hassle-free car buying experience. that’s why at ridgeline they never charge a dealer fee plus all vehicles are inspected by legacy automotive a colorado select member and sponsor of drive radio for a limited time they are offering first-time customers the first oil change for only one dollar every car comes with a 30-day warranty with the option to purchase a service contract And at Ridgeline Auto Brokers, there are competitive financing options to fit your budget. If you cannot make it to the dealership in person, there are videos of all Ridgeline cars for sale on their website at RidgelineAutoBrokers.com. Call today at 303-442-4141 to schedule a test drive or visit RidgelineAutoBrokers.com. Ridgeline Auto Brokers, the smartest way to buy a car. Now back to Rush to Reason on KLZ 560.
SPEAKER 07 :
And welcome back to Rush to Reason, Denver’s Afternoon Rush, KLZ 560, Andy Pate filling in for John Rush once again, along with Tanner Cole and Luke Cash. Man. All right, guys, let’s do yesterday’s impossible question. Actually, on Monday, I couldn’t get to it.
SPEAKER 06 :
Okay.
SPEAKER 07 :
We were a little too filled, but here we go. We’re going to do Mondays today because there was none for today. Perfect. Now you know. Okay. What does the 1967 Outer Space Treaty forbid?
SPEAKER 06 :
What year?
SPEAKER 1 :
1967.
SPEAKER 06 :
1967. What is it? Forbid?
SPEAKER 07 :
Yes. I don’t know. I’m going to give it. No one can own the moon.
SPEAKER 06 :
I guess that makes sense, huh?
SPEAKER 07 :
Yeah. Well, Elon is very upset. Just so you know, so is Bill Gates.
SPEAKER 06 :
Well, luckily, Elon Musk didn’t sign that treaty.
SPEAKER 07 :
Exactly. Yeah, so he’s not bound by it.
SPEAKER 06 :
He can do whatever he wants.
SPEAKER 07 :
Yeah, go by the moon.
SPEAKER 06 :
Just like how I never signed the Geneva Convention.
SPEAKER 07 :
Exactly. So you don’t have to follow that at all.
SPEAKER 06 :
Anything happens.
SPEAKER 07 :
You have a lot of people captured in your basement, don’t you? Yeah, I thought so. It also says you can’t colonize the sun, but nobody really cared much about that. Okay. Name the world’s, this is today’s impossible question, name the world’s largest island nation.
SPEAKER 06 :
Greenland? Australia? Island nation? Australia.
SPEAKER 07 :
Greenland? Australia? I would have thought it’s one of those. It is not. It’s not Australia? Yeah, and I’m not going to give the answer because it’s going to be on the next show that they’re going to give the answer. Believe it or not, this really surprised me. Okay. Right, because I would have gone right to Greenland or Australia. Yes. Or what about Antarctica?
SPEAKER 06 :
That’s a continent, right? Not an island. I don’t know what it is. I mean, no one really lives there.
SPEAKER 07 :
Nobody cares about Antarctica.
SPEAKER 05 :
That’s where they have the weather machines. Dude, they got penguins.
SPEAKER 07 :
I hear that’s where Trump is going to be keeping all the deportees. It’s going to be Antarctica. Okay, really quick here. In the next hour, what are we going to be doing? What is our topic? Do some sitcoms. Yeah, best TV sitcoms. Do you guys like TV sitcoms? You don’t seem to be the types.
SPEAKER 05 :
When we were younger, definitely, because they were more prevalent and better.
SPEAKER 06 :
Yeah, there were some back on Cartoon Network and Nickelodeon, but never watched any of the classics, really.
SPEAKER 07 :
You know one that I like, which I won’t say because it’ll get me banned from TV, but Teen Titans Go.
SPEAKER 06 :
Get out of here. It’s one of the stupidest shows. Get out of here. I like it. It’s funny.
SPEAKER 07 :
Okay. Well, one thing I love about TV sitcoms is that’s what you binge watch at night a lot of times. Fair enough. Yes, and people still do it today. Okay, folks, that is it for our number one. In our two, once again, we’re going to be doing best sitcoms. Give us a call at 303-477-5600 if you want to tell us your favorite sitcom. Until then, keep it right here on Rush to Reason, KLZ 560.
SPEAKER 08 :
Thank you.
