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This week’s episode of ‘Rush to Reason’ takes listeners on a journey through the thrilling and often complex world of movies. John Rush and his co-hosts discuss the rise of horror films, the financial chokehold of regulations on the industry, and how moving productions outside America has become an economic necessity. Don’t miss their take on recent slasher flicks like ‘Clown in a Cornfield’ and the evolving cinematic landscape.
SPEAKER 05 :
It’s finally Friday on Rush to Reason with your host, John Rush.
SPEAKER 10 :
So I tell him I’m a pro jack. And who do you think they give me? The Dalai Lama himself. So we finish 18, and he’s going to sniff me. And I say, hey, Lama, hey, how about a little something, you know, for the effort, you know? And he says, oh, it won’t be any money. But when you die, on your deathbed, you will receive total consciousness. So I got that going. And movie reviews with Andy Payne.
SPEAKER 15 :
I think that you got the wrong impression about me. I think in all fairness, I should explain to you exactly what it is that I do.
SPEAKER 14 :
What I do have are a very particular set of skills. Skills I have acquired over a very long career. Skills that make me a nightmare for people like you.
SPEAKER 17 :
What do you want to do tonight?
SPEAKER 15 :
The same thing we do every night, Pinky. Try to take over the world.
SPEAKER 05 :
Stick a fork in me, Jerry. I’m done. Now, here is your host of Rush to Reason, John Rush.
SPEAKER 11 :
All right. Happy Friday, everyone. Rush to Reason, Denver’s Afternoon Rush, KLZ 560. Myself, Andy Pate, Charlie Grimes. You have made it through the week.
SPEAKER 08 :
We have made it through the week. I feel fantastic.
SPEAKER 11 :
What a fast week this week.
SPEAKER 08 :
Yeah.
SPEAKER 11 :
Seems like it started and now it’s Friday.
SPEAKER 08 :
I know. And summer is right upon us. It’s amazing.
SPEAKER 11 :
Yeah, and you like to enjoy summer, but this week, the way it went, and granted, we had some rain in the middle of the week that probably affected some of that, but it’s like, holy cow, where’d the week go?
SPEAKER 08 :
I know.
SPEAKER 11 :
Really fast. The older I get, the faster it goes. You’re really old.
SPEAKER 08 :
How come I’m older than you, but I feel younger today?
SPEAKER 11 :
I don’t know. These fast weeks like this, it’s just like, does it slow down ever? No, it doesn’t.
SPEAKER 08 :
Are you excited about the weekend?
SPEAKER 11 :
Yeah, I mean, I’m just looking forward to some, you know, it’s going to be a little warmer, getting hotter on the weekends. Right. And we’re heading into that, so that’s fine by me.
SPEAKER 08 :
Very cool.
SPEAKER 11 :
So, yeah, I’m always excited for the weekend. And, okay, so before we get rolling along here, what do we got for movies today?
SPEAKER 08 :
Okay, today we’ve got Clown in a Cornfield and Fight or Flight.
SPEAKER 11 :
Okay, so I’m assuming Clown in a Cornfield is scary.
SPEAKER 08 :
Yeah, you can kind of – it makes sense, doesn’t it?
SPEAKER 11 :
The old Scarecrow?
SPEAKER 08 :
Obviously a slasher flick, yes.
SPEAKER 11 :
Oh, it’s the old slasher flick.
SPEAKER 08 :
Golly, almost every week there’s one now.
SPEAKER 11 :
They’re cheap. And you’ve said this before. It’s just because, yeah, they’re cheap and easy to make, right?
SPEAKER 08 :
Yeah, they’re cheap.
SPEAKER 11 :
Pretty easy return on investment, right?
SPEAKER 08 :
Well, number one, they’re cheap because, obviously, you’re not doing a ton of CGI. The set design is very easy. And also you can, for the most part, either use new cheap actors – or older actors. A recycle one? Yeah, recycle some of the older ones who, well, either they’re trying to make a comeback of some sort or keep their career alive, or sometimes they just haven’t done this and they want to have some fun with a movie like this.
SPEAKER 11 :
And they can make a little cash by doing it as well.
SPEAKER 08 :
Take a little cash on the side, have some fun. So why not? Yeah, but it is really, it’s getting tiring and it accelerated threefold, I think, after COVID because so many, you know, so much of the movie industry was hurting financially that now over the last three years, it has been horror movie, horror movie, horror movie.
SPEAKER 11 :
Okay, before we get rolling along, I was going to ask you this on Tuesday, and I totally forgot, didn’t really think about it. Trump’s thoughts on tariffs on imported movies, movies made elsewhere. What are your thoughts there?
SPEAKER 08 :
Because a lot are. Yeah. I think that’s going to be really hard to do. In this case, not pro or con here, just really difficult. And the reason is, is so many movies are blended in that way. Take, for instance, a lot of James Bond movies will have scenes from sites all over the world. You have a chase scene in Venice. You have a chase scene… See what I mean?
SPEAKER 11 :
Mission Impossible, similar situation.
SPEAKER 08 :
Mission Impossible, you’re going to have scenes from all over the world. And that’s simply by the nature of the topic of the movie.
SPEAKER 11 :
But the majority of the production is here, right? The final… It’s like… Assembling something where you’re getting parts from different areas, but the final assembly is here, right?
SPEAKER 08 :
Oftentimes, yes. Although, you’ve got a lot of movies now being made in Georgia. Actually, not Hollywood. But America’s America. I’m cool with it. Here’s the thing, is that you also have a lot of movies now that are simply made overseas. And the reason is it’s so much cheaper. And this, look, the blame has to fall squarely on the left and the unions have driven up the price of labor. And not only the price of labor, but the regulations that you have in places like California just strangle the industry. And so a lot of what Trump’s trying to do is not just, you know, put in some of these tariffs, but also go to California and say, look, you got to loosen up. You got to loosen up. You can’t tell them they have to have this many black people, this many gay people, this much, this, this much, whatever you do, this environmental standard, that much. You see what I’m saying?
SPEAKER 11 :
Well, and on top of that, you mentioned the union. Quit telling them how to run their business. Well, you mentioned this, and a lot of folks don’t understand this, but a lot of the, not only convention centers, but movie sets and so on, when you’ve got those union contracts, you can’t hop in, even if you’re forklift certified and you’ve got somebody on set that is, unless they’re union, you can’t hop on that forklift and move that crate out of the way.
SPEAKER 08 :
No, you can’t.
SPEAKER 11 :
You’ve got to get one of those guys to come do it. You can’t run an extension cord hardly, Andy.
SPEAKER 08 :
Look, John, it’s very difficult to simply run an operation. And when you can go anywhere overseas and instantly drop your costs by 70%, 80%, 90%, I mean, that makes it really difficult. See, there are… That’s why you also… They’re not all being put together here. You’ve got movies that are basically being put together in Canada, basically being put together in New Zealand. New Zealand does a lot. And this is becoming… China is becoming huge. It’s becoming a real problem. But… Because of the fact, one last thing, because of the fact that the subject matter oftentimes is international, that’s the difference between making a car part, right? The car part doesn’t have a nation in its topic. There’s nothing topical about a car part. There’s nothing topical about a shirt that was made somewhere in Vietnam or whatever. This is topical. And so how can you tell people, geez, if you make something topically and shoot it on site to be realistic? then I’m going to put a big tariff on you. So I think he’s going to have to mix that up somewhat and say, how about if I were to do it, I would say I want them to be assembled here. Obviously, if you’ve got to shoot on assignment overseas, no problem. That’s part of the gig. Okay. But I want two things. Number one, I want these things assembled more here. Otherwise, you’re going to pay that, say, 10% tariff. And number two, California and places like that, you have got to not a little bit, but majorly slash your regulations and your expectations because you’re killing the industry. What do you think?
SPEAKER 11 :
You’re a businessman. You’re a business consultant. Agreed. And I wanted to ask you that on Tuesday to get a little bit more insight because I don’t think everybody really understands everything you just said.
SPEAKER 08 :
Yeah, and there’s even more to it. I mean, I haven’t even gotten into the take at ticket prices and how that goes. But, okay, you’re a business consultant. You’re on the outside. I’ve obviously looked at it more on the inside for many years. How would you approach the movie industry? How would you approach these states?
SPEAKER 11 :
No, I don’t think you’re wrong, and I think in his case he’s got to get – Trump has got to figure out, to your point, how do you release those individuals that are here to be able to do the things they want to do. And you know where I stand with unions and all of that anyways, which I do not have any fond of, by the way. I’ve said that over and over again. Whether that be in the car industry, the movie industry, the whatever industry, I think they hamstring all sorts of things. They drive prices up. They don’t represent their people like they should. They charge a lot of people a lot of things that they don’t give anything back in return. They’re nothing more than political activist organization when it’s all said and done helping get certain people elected. On and on we go. At the end of the day, are they helping the worker? No, they are not.
SPEAKER 08 :
Right, because they’re not putting out a competitive product with overseas. And especially when you’re talking movies, John.
SPEAKER 11 :
In some cases, Andy, even internally in the United States of America, union versus non-union. They’re not even competitive that way.
SPEAKER 08 :
Oh, not at all. But what I mean is, competitively speaking, movies are an international business by their very nature. Correct. Okay? Correct. Every single movie can be filmed. Look, you can pick up the film stuff and the film crew and all the tech, and you can move it anywhere in the world. You don’t have to build a whole factory.
SPEAKER 11 :
Good point.
SPEAKER 08 :
Do you see what I’m saying?
SPEAKER 11 :
No, good point. Very mobile.
SPEAKER 08 :
Right.
SPEAKER 11 :
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SPEAKER 05 :
Suck it up, buttercup. Back to Rush to Reason.
SPEAKER 08 :
Welcome back to the Rush to Reason. Denver’s Afternoon Rush, KLZ 560E. John Rush, together with Andy Pate. And John Rush. Are you ready for a movie?
SPEAKER 11 :
I am always ready. Absolutely. Okay, John. Clowns.
SPEAKER 08 :
Cornfields.
SPEAKER 11 :
I’m not a clown fan, by the way. No, nor am I. I just, they’re creepy. I didn’t like them as a kid. I didn’t either. Thank you.
SPEAKER 08 :
Clowns. Cornfields. Outside of cabins in the woods, nothing offers more terror. So let’s watch Clown in a Cornfield.
SPEAKER 06 :
They’re really big on tradition around here. Every year, there’s this parade where everyone gathers around a friend who floats.
SPEAKER 14 :
Friend who?
SPEAKER 06 :
It’s the clown on all the bay pen corn syrup labels.
SPEAKER 19 :
He’s practically a local legend.
SPEAKER 01 :
Smile, Philly girl.
SPEAKER 09 :
You’re about to become a sensation.
SPEAKER 19 :
Be careful who you hang out with. There’s some real weirdos at this town.
SPEAKER 18 :
What’s this? Yeah, very funny, man. Hey, Ginger!
SPEAKER 13 :
You okay? There’s a psycho dressed up like Brendo trying to kill us!
SPEAKER 16 :
Call 911! Where’s the button, Jen? What is this? What is this? What kind of phone is this?
SPEAKER 07 :
Okay, that’s a funny scene. That is pretty good. I mean, they’re trying to deal with a dial phone. They have no idea. They have no idea. They have no idea what to do. Where’s the buttons? That’s pretty funny. That is pretty good.
SPEAKER 08 :
Okay, well, Katie Douglas and Aaron Abrams, they star as teenager Quinn and her dad, Dr. Maybrook. Well, after the loss of Quinn’s mother, the two moved to Kettle Springs, Missouri, for a fresh start. Like many teenagers, Quinn doesn’t appreciate her dad, so she rebels. Making it easy to rebel is the obvious friction between the age groups in this town. So they drive into the town and people are giving them looks all over the place. It’s just very creepy. For some reason, the adults treat the young people badly with deep resentment. quinn quickly falls in with the wrong crowd in this case a group of local outsiders led by a guy named cole he’s played by carson mccormick these kids have achieved online notoriety through pranks involving deaths at the hands of the local mascot friendo the clown now he’s the mascot for the bay pen corn syrup company and you know what it’s like when you have the company of the town how important is this business
SPEAKER 11 :
Major.
SPEAKER 08 :
Right. It’s the town. Yeah, exactly. I mean, the town basically runs off of the Bay Penn. That’s right. Yeah, a corn syrup company. And Frendo is their mascot. And these guys are putting out… videos with friendo being a killer all right so adults hate their antics with the town legend well naturally it’s only a matter of time before the real friendo shows up and he’s ready to slice and dice what a series of pranks what was a series of pranks i’m sorry becomes a series of gruesome kills Well, perhaps on purpose. Clown in a Cornfield, it has tons of stereotypical characters, right? You’ve got the in-girl hottie, you’ve got her posse, you’ve got the awkward outsider, the jocks, the dopey sheriff, the heroic central character teens, right? And of course, all the obvious teen kill targets. Thus, during the annual Founders Day celebrations, our teens are fighting for their lives. Who will live? Who will die? And why would anyone want a clown in a cornfield? That’s the story of Clown in a Cornfield. What do you think? It’s got all the ingredients. It’s got all the ingredients. Well, what works in Clown in a Cornfield? First of all, you’ve got plenty of annoying teens to eliminate. And that’s always good. And a lean run time of 96 minutes. That’s very good. I’ll tell you what. I hate two-hour slasher movies.
SPEAKER 11 :
Yeah, they drag.
SPEAKER 08 :
Yeah, it’s like, I’m sorry, you don’t have the characters to sustain this. It’s not going to work. Katie Douglas, she’s new on the scene. She’s pretty good. Last girl, they call them last girls. Blending terror, bravery, and life struggles. She’s going through a lot. You know what I mean, last girls. The last one to survive. Right. Yeah. The action presses forward with good timing on the kills. It’s always important. You’ve got a nice buildup. The corn maze scenes are just what you would expect, which means lost, scary, and bloody. I like that.
SPEAKER 12 :
Okay.
SPEAKER 08 :
You also have some moments of sharp dialogue. You’ve got some wit, and, of course, you have a terrifying villain. What doesn’t work in Clown in a Cornfield? Well, sorry, it’s a long list. First of all, boring characters. I didn’t care about anyone, right? Kill them all. Kill them all, yeah. Yeah, kill them all, let God sort it out. But you can’t because God’s not going to bother watching. You’ve got a laundry list of stereotypes without the humor that could have satirized them. I’ll get to that in a little bit. The only twist is for pushing a gay agenda. Now, I hope you really like watching men kiss. I mean, is that something you look for? Yeah, no. Yeah. Tell me out. Okay. This is a total agenda film. You got bad white adults longing for the good old days. I mean, they might as well have had MAGA hats on them, right? You got the righteous young gay guys. And, you know, you have black people in the town, but none of them are bad guys. So it’s just ridiculous. Basically, what they’re doing is making a horror movie making fun of middle America that voted in Trump. Without mentioning Trump and politics, all right? It needed more humor. This is important. Look, if you’re going to put a bunch of stereotypes like that in a movie and set them up as stereotypes, then skewer them, not just literally, right? Have some fun. I want some good jokes. I want some funny back and forth. Okay, if you’re going to do agenda, fine, do your agenda. But I want some funny back and forth, making fun of each one of these stereotypes, the jocks. The pretty girl, the hottie, you know, her posse, the outsider, all of this kind of stuff. They, you remember how Scary Movie made fun of the sheriff?
SPEAKER 20 :
Yes.
SPEAKER 08 :
Yes. Have fun with it. They did not. They just totally fell short. The usual teens know everything. Adults are oblivious tropes. They get old. They really do. You had one of the least surprising Scooby-Doo villain reveals ever.
SPEAKER 12 :
Hmm.
SPEAKER 08 :
You know, pull off the mask and you know it. And I would have gotten away with it if it weren’t for those kids. You know, it’s always that way.
SPEAKER 11 :
It was that bad.
SPEAKER 08 :
Yeah. Well, but this was not surprising at all. It was just, you’ve got to be kidding. Really? It was totally predictable. The bottom line, nothing felt real in this movie. The town folk are exaggerated by writers who are bent on agenda. You could tell that the writers really hate middle America and wanted to depict middle Americans in this way. And they didn’t do a buildup to show. You know, why would you have so many people in the town feel this way? It’s not normal. It was like it was written about middle America by people who have never been to middle America. Right. And you kind of wonder, okay, John, you and I could totally expect this. Let’s say if they propped it up by saying it’s part of a cult. Oh, okay. You know, cults can happen in small towns. They can happen anywhere, right? Maybe it’s something like that. They don’t really explain it. It’s not well explained. It’s just an agenda movie. And it’s rather boring. And it’s just a straightforward slasher kill movie. And you can say, well, at least you get to see the kills in the fields and so forth. Yeah, but you know what? With what Hollywood’s doing now, wait a week. Okay, you’re going to see another slasher movie within a week or two. Who cares? I was not impressed. Rotten Tomatoes, it started out really high. It was in the high 90s for quite a while. And then the late reviews, which are usually the more honest ones, came pouring in and dropped it all the way down to 81%. So Rotten Tomatoes put this at 81%, but it was puffed up, I believe, by people who love the agenda. All right? Okay. This wasn’t very entertaining. And I’m not saying that because I don’t like the agenda. I’m saying that because I don’t like agenda films if you don’t make a great film. All right. Quality, one and a half stars. I was bored. I wanted this thing to end. It fell short in every area where I was hoping it would do something. Okay? Political, obviously, one and a half. More religious, two. No, make that one and a half, two. Let’s go one and a half all across.
SPEAKER 11 :
Okay.
SPEAKER 08 :
Okay, I’m sorry. Guys making out. I’m sorry. Yeah. That’s a rough watch.
SPEAKER 11 :
I don’t need to see that.
SPEAKER 08 :
Yeah, it’s a rough watch. This was just not a very good movie. It absolutely was not as good as its 81% grade. It doesn’t deserve it at all. Do not go to Clown in a Cornfield, folks. There are so many really good horror movies that have been coming out. I mean, good slasher movies where I watch these things and I’m like, okay, that is really good. That had me on the edge of my seat. That was exciting. What action. It also had some witty lines, some good characters. I actually cared. This had none of it. Avoid horror. Clown in a cornfield.
SPEAKER 11 :
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SPEAKER 08 :
And welcome back to Rush to Reason, Denver’s Afternoon Rush, KLC 560, John Rush, together with Andy Pate and John. Are you ready for another movie? Absolutely. All right. Well, John, you know, ever since John Wick, if you notice this, we’ve seen more of these movies with action, action, action.
SPEAKER 11 :
Very true.
SPEAKER 08 :
Right. John Wick kind of blazed the trail for that action, action, action. We’ve been seeing more of them. Well, here’s another in Fight or Flight.
SPEAKER 14 :
What am I doing here, Catherine?
SPEAKER 13 :
We’re tracking a high-value target.
SPEAKER 14 :
The ghost is a black hat terrorist.
SPEAKER 13 :
Deliver the mark to us alive. You get your life back.
SPEAKER 14 :
We have a big problem.
SPEAKER 19 :
There isn’t a country in the Western Hemisphere that doesn’t have a bounty on the ghost’s head.
SPEAKER 13 :
Are you telling me that plane is full of killers? Rough night?
SPEAKER 16 :
Please open the door. One second!
SPEAKER 02 :
You’re looking for someone that’s on this plane? Uh-huh.
SPEAKER 14 :
And other people aren’t looking, too. Right. Can you help me send the change in, too?
SPEAKER 16 :
Who hired you? You’re not even sober.
SPEAKER 14 :
Are you ghosting alive? I’m free.
SPEAKER 12 :
What the hell are you doing? I was trying to help you.
SPEAKER 14 :
Now these people have paid a lot of money for first class service and I cannot have them disturbed.
SPEAKER 08 :
Okay, John, that’s fight or flight. What do you think? It doesn’t sound bad. All right, let’s hear a little bit.
SPEAKER 11 :
From the previews, it’s not bad.
SPEAKER 08 :
Yeah, let’s hear a little bit more. Josh Hartnett, I like him. How about you?
SPEAKER 11 :
Agree.
SPEAKER 08 :
Yeah, he’s real good. He stars as Lucas, a former Secret Service agent who, well, he upset the wrong people. I’ll just say that. And he’s now hiding somewhere in Asia. He’s a full-fledged alcoholic, but still has amazing fighting and surveillance skills. Well, his ex-girlfriend, CIA spook Katie, and she’s played by Katie Sackhoff, well, she now runs some truly unsavory missions. Lucas hates Katie for how things broke between them, and now Katie is in a real bind. See, there’s a high-level target, the ghost, you heard that, and she needs this person brought in alive, but that target is boarding a plane in the Orient, and her closest team has already been wiped out. Her next team is an hour or more away. That’s not going to work. In desperation, Katie turns to Lucas, promising she’s going to wipe his record clean if he brings in the target alive. Problem is, no one knows who the ghost is. No one knows who the ghost is, so Lucas must board the flight, figure out the target, and then get that target back in one piece. Easy to understand, hard to do. But what happens if assassins from all over the world are alerted to the target being on that plane? Worse yet, what happens if those assassins also learn about Lucas, who is a high-value target himself? Well, now you have a battle within the confines of a jet with Lucas against the world. Kind of the John Wick thing, right? He’s drunk. He doesn’t know the identity of his target, and he’s incredibly outnumbered. Get ready for action, action, action in the sky. Can Lucas possibly win? And can Josh Hartnett finally get us to forgive him for the movie Trap? That’s the question.
SPEAKER 11 :
Okay.
SPEAKER 08 :
Which he did with M. Night Shyamalan.
SPEAKER 11 :
I have not watched that one yet.
SPEAKER 08 :
Well, yeah, because I told you and the rest of the universe not to. And apparently people listened to critics everywhere because no one went to Trap. Okay. By the way, he did a good job in Trap. It’s just, gee, what a movie. So… Really seriously, though, can this be a movie that puts Hartnett right back on the path? Because he is a fine actor. Here we go. What works in fight or flight? Josh Hartnett is perfect for this role. He’s intense. He’s good looking. But he’s weathered. You know, he’s not a young guy. He’s not in his 20s. Right. He’s in his 40s. And he plays a very good drunk. He does the whole thing. He does it well. Next, the fight scenes are the show. And there are more than you can count. There are constant fight scenes. They’re very well choreographed. That’s always important. You always want some interesting things done in them, and they have them. So, very good. Next, battling in this small space is like die hard on steroids. I mean, lots of crazy kills and pain, and you’re in a little space. I mean, you’re on an airplane. It’s a huge jet, but still. Next, there are a fair number of funny moments, I’ll just say that, with the flight crew being a bunch of sissies who don’t belong in a war zone, and Hartnett bantering back and forth with everyone. Katie Sackhoff is solid in her role, and Charithra Chandran, she’s perfect as the flight attendant with a secret of her own. The direction is brisk, and the runtime is only an hour thirty-seventh. Thank you, God. And finally, there’s a good message about child labor being slave labor. I like that because I agree. Unfortunately, it feels forced, but still, it’s a good message. And finally, I’ve never seen an airplane seatbelt used that way. I’ll just say that. All right. What doesn’t work in fight or flight? Well, first of all, the fight scenes, they get so bonkers that plausibility gets blown out the side of the fuselage. And I mean, I understand they’re making that kind of a movie. I get it. But when you totally lose plausibility at times, you’re just kind of like, I’m just watching, you know.
SPEAKER 11 :
Gotcha.
SPEAKER 08 :
People doing staged fights. What’s the point? At one point, Lucas is drugged. Well, it’s funny and it is funny. It also gets drawn out a little too much and silly. A fight or two should have been removed. This is my opinion. They should have removed a couple fights, allowing time to better develop the plot instead. Because the plot is an inch thick in this movie. This thing is mainly just for the fights. And I would have liked a little more time to develop the plot behind the target, the plot behind him, and the plot behind… everything that’s going on into them. That was one of the strengths I thought of John Wick. John Wick was a movie where the plot was not an inch thick. You had all the same action, but you had a really good plot. You cared a lot about the characters, especially him. It mattered more.
SPEAKER 11 :
Correct.
SPEAKER 08 :
And they didn’t allow this to matter as much. It’s not nearly as bad as clown in a cornfield. Nothing like that where you literally do not care. So we’ll get to this. Finally, one central element was very implausible. The target developed something far beyond all the greatest tech minds in the world. You better set that up better than they did, and they didn’t. It was just like, no, this person is not going to set something up like this that is better than all the tech minds in the world can do. You have not set this person up as that kind of a ridiculous genius. Got it. Better do that first.
SPEAKER 11 :
Not that sharp.
SPEAKER 08 :
No. I mean, this person is very sharp, not that sharp. Okay, Rotten Tomatoes gave this movie, they gave Fight or Flight 78%. I think that’s very well-deserved, John. I’m going to give it quality three and a half stars. This is a good movie. It’s a fun movie. In fact, I say it’s a lot like Beekeeper. Oh, okay. I liked it. Right. I like Beekeeper. Good movie. I’ll put it this way. I thought that the action sequences were actually better choreographed in this, but Beekeeper, I thought I had a little deeper story that I cared about a little bit more, a little more development of the main character. All right. However, just the fun of being in that in that jet the way they were in this. I had the same fun as I had a beekeeper political three more religious three doesn’t doesn’t preach at me at all. I like that. All they did was make a movie and they had fun doing it. Do I recommend going to fight or flight? Yeah, I do, folks. This is a fun movie. This reminded me of what was the last one? Flight risk.
SPEAKER 11 :
Yes.
SPEAKER 08 :
Yeah. Yes. Now, that’s on a little, you know, just three people in a little plane, right? And that was a surprisingly good movie made with Mark Wahlberg. This is, I believe, on that level. It’s a lot of fun. Go see Fight or Flight. Just get away for the weekend.
SPEAKER 11 :
Okay. Sounds like a great movie. Great time.
SPEAKER 08 :
Yeah. It’s worth it.
SPEAKER 11 :
We haven’t had one of those in a while like that.
SPEAKER 08 :
Yeah. Every now and then you need a beekeeper. That’s what I feel. Which I liked. Well, yeah. That’s because you and I, we share something. We like stupid movies. Yeah.
SPEAKER 11 :
And it’s good. I like dumb fun. I get it. It might not be all plausible, but who cares? No. At the end of the day, who cares?
SPEAKER 08 :
Yeah. And both this and the beekeeper, some of the stairway hallway scenes at the end were just like, all these people could just mow him down. They’re waiting to go one at a time. You’re losing me at this point. Still a lot of fun. I didn’t care. This had some of that, too.
SPEAKER 11 :
Gotcha.
SPEAKER 08 :
All right.
SPEAKER 11 :
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SPEAKER 11 :
Now back to Rush to Reason on KLZ 560. All right, we are back. Rush to Reason, Denver’s Afternoon Rush, KLZ 560. Hey, impossible question of the day. Yesterday’s was, who was the U.S. president during the annexation of Texas? That would be Polk. He was our president then. That would have been in 1845. December 29th, 1845. Okay. So there you go. Today’s impossible question. What element has the atomic number 92? What element has the atomic number 92? I don’t know.
SPEAKER 07 :
No clue.
SPEAKER 11 :
Charlie, anybody? No? I wouldn’t know this one either, so there’s your… There you go. That’s why it’s called the impossible question.
SPEAKER 08 :
All right.
SPEAKER 11 :
So answer that on our Facebook page. All right, so we’ve got coming up here in the next hour, it’ll be just Andy and I because Richard is on vacation this week, but TV, movie, and… So moms in TV and movies is what I meant to say.
SPEAKER 08 :
Right.
SPEAKER 11 :
Any… No, very broad.
SPEAKER 08 :
I mean, if you want to, you know… TV shows and movies with moms that are prominent characters. There you go.
SPEAKER 11 :
Okay, so can’t just be like a mom in the background. We want mom to be… Yeah, somebody who waved once in the background. We want it to be somebody that’s actually involved in the show or the movie or whatever.
SPEAKER 08 :
They’ve got to matter. Yeah, they’ve got to matter.
SPEAKER 11 :
It can’t just be like, oh, she showed up one time and now she’s gone sort of a thing.
SPEAKER 08 :
Right.
SPEAKER 11 :
Right?
SPEAKER 08 :
No, that’s not going to cut it.
SPEAKER 11 :
And this is, again, in honor of Mother’s Day, which is Sunday for some of you that hopefully haven’t forgot, but I wouldn’t think anybody would forget that, Andy.
SPEAKER 08 :
No, I wouldn’t think so.
SPEAKER 11 :
It is Sunday, so all you guys that are out there. Now, a piece of advice to husbands, by the way, if you have kids. There’s always that saying of, well, why should I get my wife anything? She’s not my mother. Well, she’s the mother of your kids. So, yes, you get her something.
SPEAKER 08 :
Oh, yeah. Actually, the thing to do is you should be talking to your kids about Mother’s Day for the week or two coming up. For the couple weeks preceding, hey, what are we going to do for mom? How are we all going to, you know?
SPEAKER 11 :
Yes. Yes. Trust me, the last thing that should come out of your mouth is… Well, she’s not my mom.
SPEAKER 08 :
Yeah, that would be… Yeah, dodo head. You know, we do have a good lawyer that we can recommend here at Rush Reason. Do not say that. He does a great job.
SPEAKER 11 :
I’ve heard. You can tell. I’ve heard guys actually say these things, and I’ve heard those words come out of their mouth, hopefully not in front of their… But you do not want to say that and you do not want to be that man that has nothing on Sunday for the mother of your children or your own mom, for that matter. Please make sure that you get those things taken care of.
SPEAKER 08 :
Make it special. And look at it this way. Hey, you only have to make her special one day a week, one day a year.
SPEAKER 07 :
Then the rest of the year, you can totally ignore her needs. Sure, Andy. Let’s see how that works out. Exactly. Yeah, let’s see how that goes. Let’s see how that goes.
SPEAKER 08 :
Can I ask this question here? Yeah, go ahead. Okay, I’m sorry. And, you know, we’ve talked about this before, but it’s been a long time since we have.
SPEAKER 11 :
I might steal this for tomorrow’s show on Drive Radio, by the way.
SPEAKER 08 :
Let’s do it. Okay. Because it’s getting nicer out, so it’s becoming more… What is your biggest pet peeve while driving? And by the way, if anybody wants to mention that in an hour or two, feel free. I haven’t asked you this in a while. I’ve got a few. I’ll lead with the obvious one. Go ahead. Left lane liberals. You mean the ones that want to slow you down because they’re in the left lane? Right. Speed nannies. They’re speed nannies. They want to drive slow in the left lane. And what they do is they drive slow in the left lane. Or another kind of speed nanny is you’re on a two-lane road. And they’re holding you back, and the second it goes to four, they speed up. They’re speed nannies. I despise speed nannies. I hate them. Why do you want to hold back other people’s lives? Just drive.
SPEAKER 11 :
Because they’re control freaks, Andy. You know that.
SPEAKER 08 :
Yeah. This is a huge thing. By the way, out in Aurora, we have a road called Gun Club, okay? And it goes on the east side of E-470 for a very long way. Right. Long way. Okay. Gun Club constantly has people, and by the way, I believe a lot of these are illegal immigrants, all right? Okay. Constantly has people driving 10 to 15 miles under the 55-mile speed limit. Well, because they don’t want to get stopped. Right. And the rest of us are legal, and it’s just like, will you please? All you got to do is, you could go 5 to 10 miles over the speed limit, and you’re absolutely safe. What are you doing? Stop it. And you drive by them, and… And I hate to say it, John, you almost always know that the people you drive by, when they’re going incredibly slow like that and they’re speed nannies, they’re going to be one of three people. And I hate to say this.
SPEAKER 11 :
This is Andy talking, not John.
SPEAKER 08 :
This is Andy talking, so you only have to shoot me. They’re going to be people who are probably not here legally. Okay. Very elderly people, at least with them I understand someone. Okay, that I understand. And please take this the right way. I’m sorry, minorities.
SPEAKER 11 :
um generally that’s the case well i you know i i have no idea why well i will tell you that a lot of folks that come from other countries because they drive differently in other countries than they do here and one of my biggest pet peeves i have a few too andy okay one is semis in the left lane so big trucks in the left lane i don’t care if it’s a box truck i honestly i don’t care if it’s a landscape truck get out of the left lane you are not supposed to be in that lane and here’s here’s a You’re not a speed nanny, but you can’t keep up with traffic the way you should be in the left lane when you’re towing a trailer and doing other things. Second of all, you shouldn’t be going that fast in that rig anyways, because typically the left lane’s driving 75, 80 miles an hour, most anywhere around town. Right, again. So you should not be in that lane anyways. And last but not least, all you’re doing is clogging up traffic for everybody else. Yeah. Get out of that lane.
SPEAKER 08 :
Let me say one more thing. You’re not maneuverable. Let’s say you’ve got three or four lanes going one way. People in the left lane or two are usually people who are passing or maneuvering. They’re not crazy drivers. They’re probably going about 10 miles over, which is perfectly safe.
SPEAKER 11 :
Let them roll.
SPEAKER 08 :
Let them roll. But I’m not talking about the 95-mile-an-hour weavers.
SPEAKER 11 :
That’s a different person.
SPEAKER 08 :
I’m just talking to people who are getting where they’re going a little faster than you. your truck can’t maneuver like them.
SPEAKER 11 :
You’re going to cause an accident. Last but not least, before I take Dave, and this comes from the other country drivers as well, people out of country, people that drive with their hazards on when there’s no real hazard. It’s raining. The hazards are on. It’s all of a sudden there’s a little bit of traffic ahead. The hazards are on. They see a pothole. The hazards are on. No, folks, we don’t use hazards in this country that way.
SPEAKER 08 :
Yeah, you know who the hazard is? You. Them. You are.
SPEAKER 11 :
Exactly. Dave, welcome.
SPEAKER 09 :
Yeah, my pet peeve, oh my goodness, is people that don’t know how to use an on-ramp. Ugh.
SPEAKER 11 :
Or off. Get up to speed. Either one, off or on. Because again, Dave, whether you’re getting on and merging in like you’re supposed to get up to speed, on the same token, when you’re getting off, you don’t slow down until you’re on the off-ramp.
SPEAKER 09 :
Right. Yeah. That is, oh, my God, because I live up on a mountain. Yes, you do. And I drive down to the highway, and there is an on-ramp. You can get on the on-ramp because nobody’s in that lane. Thank you. Nobody is in that lane. They’re in the neck. They’re in the traveling lane. Drives me nuts. And, oh, my goodness, I sit there. I want to get on the side of them.
SPEAKER 11 :
I want my snowplow in the front of my car and just push them out of the way. Oh, my goodness. Yeah, that was a… Good one, Dave.
SPEAKER 09 :
Okay, so the mom movie, I can’t remember the name of the movie, but Samuel Jackson was in it with her, and she forgets that she’s a mom. She was a spy.
SPEAKER 08 :
Oh, yes. Is that The Long Kiss Goodnight? Yes.
SPEAKER 09 :
Geena Davis?
SPEAKER 11 :
Yes. Okay.
SPEAKER 08 :
Good one. Good job.
SPEAKER 11 :
We’ll start with that then, Dave. That was… That was so good. Good job. Way to go, Dave. Start us off. Thank you, Dave. I want to get John in really quick before we take a break. John, you’ve got two minutes. Go ahead.
SPEAKER 10 :
All right, Andy, you do know that if it’s a Subaru Outback with a coexist sticker blocking the lane, you can get underneath them and make them loose and put them in a wall. It’s bad.
SPEAKER 11 :
You guys are bad.
SPEAKER 10 :
Bad, bad, bad.
SPEAKER 08 :
But I’ll tell you what. Liberals with those coexist stickers, so many of them want to be speed nannies. It’s incredible. They love it. Oh, yeah.
SPEAKER 10 :
They love it. Real quick, John, from yesterday, the third point I wanted to make was on your Bill 1312. Yeah. Polis is going to leave that in the drawer, not sign it, let it go into law. So then when he runs for president, he could say, well, he didn’t agree with it, so he didn’t sign it.
SPEAKER 11 :
Well, that’s not much of a defense in his case because he knows it’ll become law anyway. So that’s weak.
SPEAKER 10 :
Right, and that’s why he’ll do it, so he can get away with it. Last thing, I’ve got to go to an appointment, so I can’t call in. The best TV mom was also a doctor, and that would be Dr. Beverly Crusher. Oh, yeah. Okay. Good one.
SPEAKER 11 :
All right. We’ll take that.
SPEAKER 10 :
All right. You guys have a great day.
SPEAKER 11 :
You too, man. Enjoy the rest of your night, John. Appreciate you very much. And Cub Creek Heating and Air Conditioning coming up next. And, again, you’re going to be running the air conditioning most likely this weekend. If you go to fire up and things don’t work properly, give Cub Creek a call. Find them at klzradio.com.
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SPEAKER 11 :
Live and local, back to Rush to Reason. All right, we are back. Myself, Andy, Charlie, Rush to Reason, Denver’s Afternoon Rush. Next hour, yes, we’re going to be doing TV and movie. Mom, some of you already got that fired off, which we appreciate. Andy threw something out, which I think I’ll use on Drive Radio tomorrow, which is, you know, you’re driving pet peeves. Andy, I could keep going. I have a lot.
SPEAKER 08 :
Okay, okay, we got a minute here. Really quick here. You’re turning right at a stoplight, or just at a stop, right? The lane that you’re turning into, you have your own entry lane.
SPEAKER 11 :
Oh, it’s a continuous lane, you mean?
SPEAKER 08 :
Well, no, the car, you have an entry lane getting onto the next road. Okay, gotcha. The car in front of you is waiting for the light to change.
SPEAKER 11 :
To turn green?
SPEAKER 08 :
Yes.
SPEAKER 11 :
Why?
SPEAKER 08 :
Or they’re waiting until all the cars are passed, and you’re looking at, let’s say it’s a stop sign, but you have your own entry lane.
SPEAKER 11 :
You mean like the one down here off of a 225 on the Parker?
SPEAKER 08 :
Yes, I do mean like that one, John.
SPEAKER 11 :
And so they’re waiting. I was hoping to get somebody today to get out of that lane.
SPEAKER 08 :
And by the way, this happens a lot with, once again, illegal, you can tell. I know. Because they don’t know, they don’t seem to understand, guys, you can go. You don’t have to hold people back. You have your own lane. You’re waiting until all the traffic goes by before you enter.
SPEAKER 11 :
The traffic or driving habits, I guess is what I should say, Andy, are different from country to country. And some of this I know because I go to Mexico enough to know how things are done there. And, yeah, they don’t drive like we do. I’ll just tell you that straight up.
SPEAKER 08 :
They don’t.
SPEAKER 11 :
They don’t drive like we do. No. That’s where the whole hazard thing comes from.
SPEAKER 08 :
Look, John, I don’t care where you go in the world. Learn the rules.
SPEAKER 11 :
Well, that’s a whole other conversation that we could talk about on Tuesday. All right, guys, hang tight. We’re going to be back. Another full hour coming your way. Again, TV shows and movies with moms. Andy and I will be right back. This is Rush to Reason, Denver’s Afternoon Rush, KLZ 560.
SPEAKER 12 :
Average guys. Average guys.
